{"title":"All Products","description":null,"products":[{"product_id":"card-stand","title":"Lewis Chaplin - Card Stand","description":"\u003cul\u003e\n\u003cli\u003e 24 pages, 130 × 200 mm\u003c\/li\u003e\n\u003cli\u003eOne-colour riso on Cyclus Offset 80gsm\u003c\/li\u003e\n\u003cli\u003eSaddle-stitched\u003c\/li\u003e\n\u003cli\u003ePublished by Loose Joints, July 2014\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e 17\/02\/2011 20.05 (EST)\u003c\/p\u003e\n\u003cp\u003eThere is a public CCTV camera trained on Times Square, at the corner of 7th Ave and West 46th St. Every day, thousands of people look at other people through it.\u003c\/p\u003e\n\u003cp\u003eAt 8.05pm on 17th Feb 2011, a user of the anonymous message-board 4chan knocked down the card stand that lingers tantalisingly in the corner of the CCTV camera’s frame.\u003c\/p\u003e\n\u003cp\u003eThis publication shows the image responses posted to 4chan’s \/b\/ message-board chronologically and simultaneously by various anonymous collaborators, who for one brief moment were connected virtually by vicarious urges, united in the act of witnessing.\u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520148365367,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-243ede21e2b44b948b20cdd121b22fb0.jpg?v=1576609638"},{"product_id":"loose-joints-community-information-center","title":"Loose Joints Community Information Center","description":"\u003ci\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e24 pages, 210 × 297 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital print on 115gsm recycled stock\u003c\/li\u003e\n\u003cli\u003eSaddle-stitched\u003c\/li\u003e\n\u003cli\u003eJuly 2014\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLoose Joints Community Information Center #1 presents two excursions with the scanner. One, a waterlogged book from a basement flooded by Hurricane Katrina. Two, some plants blowing in the wind.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520148496439,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-2ebfa45ca1cd47ee8988fb852244a409.jpg?v=1576609640"},{"product_id":"one-minute","title":"Isabel Markus - One Minute","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eThree 148 x 210mm, 24-page publications\u003c\/li\u003e\n\u003cli\u003eOne-colour riso on Cyclus Offset 80gsm\u003c\/li\u003e\n\u003cli\u003eSaddle-stitched, housed in a die-cut envelope\u003c\/li\u003e\n\u003cli\u003ePublished by Loose Joints, March 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e5. A small group of ambivalent actors move about the stage, shuffling back and forth, shifting out of one frame and into another.\u003c\/p\u003e\n\u003cp\u003e4. elevated and omnipotent, godlike.\u003c\/p\u003e\n\u003cp\u003e2. Consisting of three separate publications, \u003cem\u003eOne Minute\u003c\/em\u003e mimics the screen grids found on train station platforms throughout London.\u003c\/p\u003e\n\u003cp\u003e3. These monitor banks, often at passenger level, present a curious form of observation - the chance to witness an event that you are within occurring from an impossible, disembodied number of surveillance perspectives;\u003c\/p\u003e\n\u003cp\u003e1. \u003cem\u003eOne Minute\u003c\/em\u003e was the first publication by Loose Joints. It describes a train entering a station.\u003c\/p\u003e\n\u003cp\u003e6. An out of body experience.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520148561975,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-a23668b2580c4b4381f763de5b5348bb.jpg?v=1576609633"},{"product_id":"here-1989","title":"Richard McGuire - Here 1989","description":"\u003cul\u003e\n\u003cli\u003e12 pages, 150 × 190 mm\u003c\/li\u003e\n\u003cli\u003eSaddle-stitched booklet\u003c\/li\u003e\n\u003cli\u003eEdition of 500\u003c\/li\u003e\n\u003cli\u003eJanuary 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e Here 1989\u003c\/em\u003e is the first re-print of Richard McGuire's cult comic strip. The six-page comic \u003cem\u003eHere\u003c\/em\u003e, which appeared in 1989 in \u003cem\u003eRaw\u003c\/em\u003e magazine, volume 2, number 1, was immediately recognized as a transformative work that would expand the possibilities of the comics medium. Its influence continues to be felt twenty-five years after its publication.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHere 1989\u003c\/em\u003e coincides and accompanies with the release of \u003cem\u003eHere\u003c\/em\u003e, a development over 25 years of this original comic into a 360-page book, published by Hamish Hamilton.\u003c\/p\u003e\n\u003cp\u003eRichard McGuire is a regular contributor to \u003cem\u003eThe New Yorker\u003c\/em\u003e. His work has appeared in \u003cem\u003eThe New York Times\u003c\/em\u003e, \u003cem\u003eMcSweeney's\u003c\/em\u003e, \u003cem\u003eLe Monde\u003c\/em\u003e and \u003ci\u003eLibération\u003c\/i\u003e. He has written and directed two omnibus feature films: \u003cem\u003eLoulou\u003c\/em\u003e\u003ci\u003e et \u003c\/i\u003e\u003cem\u003eAutres Loups\u003c\/em\u003e (\u003cem\u003eLoulou and Other Wolves\u003c\/em\u003e, 2003) and \u003cem\u003ePeur(s) du Noir\u003c\/em\u003e (\u003cem\u003eFear[s] of the Dark\u003c\/em\u003e, 2007). He has also designed and manufactured his own line of toys, and he is the founder and bass player of the band Liquid Liquid. \u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520149676087,"sku":"LOOSEHERE1989","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-4d5fe117315f40cb873def4c8013cea4.jpg?v=1576609647"},{"product_id":"fence-panels","title":"Oliver Griffin - E.S. 5D: Fence Panels","description":"\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eA set of 14 facsimile prints, 297 x 420mm each on Olin High White 200gsm\u003c\/li\u003e\n\u003cli\u003eHoused in a custom side-stapled kraft board box from GöteborgsTryckeriet, with tape embellishing\u003c\/li\u003e\n\u003cli\u003eEdition of 50, hand-signed and numbered by the artist\u003c\/li\u003e\n\u003cli\u003ePublished in May 2015 by Loose Joints\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePart 5D. of Oliver Griffin’s expansive project \u003cem\u003eEvaluation of Space\u003c\/em\u003e takes the form of an essay in pictures and words about the humble fence panel. Recreated here are Griffin’s 14 original hand-prints and proofs from the series.\u003c\/p\u003e\n\u003cp\u003eOliver Griffin (1983, Boscome, UK) is an artist working with the tensions between photography and the typological. Griffin produces archives of the everyday to be examined and referenced, attempting to subvert perceptions of our ordinary surroundings. Oliver is represented by Hannah Barry in the UK and Dzialdov in Germany.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520149741623,"sku":"LOOSEEVALUATI","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Griff-shots.jpg?v=1580490150"},{"product_id":"space-station-v-1974","title":"Trevor Parsons - Space Station V, 1974","description":"\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e150 x 225mm Brochure containing 7 postcard prints\u003c\/li\u003e\n\u003cli\u003eRisograph on Kendal Manilla 270gsm + postcards on Cyclus Offset 170gsm\u003c\/li\u003e\n\u003cli\u003eLimited Edition of 300\u003c\/li\u003e\n\u003cli\u003ePublished in May 2015 \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWithin \u003cem\u003eSpace Station V 1974\u003c\/em\u003e we are presented with the story of Trevor Parsons, who as a graphic design student in 1974 stumbled upon the space station from Stanley Kubrick’s \u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e, abandoned on a piece of prehistoric land in Stevenage, Hertfordshire.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520149905463,"sku":"LOOSESPACESTA","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-3f8742f2985449d7b4a6e491f6351323.jpg?v=1576609667"},{"product_id":"marton-perlaki","title":"Marton Perlaki - Elemer","description":"\u003cul\u003e\n\u003cli\u003e102 pages, 54 colour plates, 190 × 230 mm\u003c\/li\u003e\n\u003cli\u003eSection sewn hardcover with coloured boards and silkscreen cover\u003c\/li\u003e\n\u003cli\u003eWith an essay by Stanley Wolukau-Wanambwa\u003c\/li\u003e\n\u003cli\u003ePublished in May 2016 \u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-1-2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOut of Print (\u003cspan style=\"text-decoration: underline;\"\u003elast copies available\u003c\/span\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eElemer\u003c\/em\u003e by Marton Perlaki describes a world of chances and combinations, revolving around the manipulation of one central figure before his camera. We do not know who Elemér is – indeed, Perlaki suggests we do not need to know – and as we witness him moving and appearing before the camera he is sculpted, both gesturally and literally. His movements, in turn, elicit the witty, hallucinatory and strange from simple still lives, landscapes and portraits made in Perlaki’s native Hungary.\u003c\/p\u003e\n\u003cp\u003ePerlaki began \u003cem\u003eElemer\u003c\/em\u003e after starting to collect cigarette cards – the disposable objects of the early 20th century that contain on one side, a household tip, and on the other, an image. He describes how ‘On first glance, the images look silly and nonsensical, but when flipped over these pictograms suddenly make sense’. This flipping of the card continues throughout \u003cem\u003eElemer\u003c\/em\u003e – birds, bubbles, bricks, potatoes and Elemér himself are broken from their contexts, they crash and collide with one another. Within this form of bricolage – this flipping of the cards – Perlaki brings out the absurd from the factual, the delicate from the concrete.\u003c\/p\u003e\n\u003cp\u003eMarton Perlaki (1982, Budapest) is an artist with a background in cinematography and photojournalism. He co-founded Anglo-Hungarian biannual publication \u003cem\u003eThe Room\u003c\/em\u003e in 2004 where he worked as a photo editor until 2015. Perlaki was shortlisted for the Paul Huf Award and is a Foam Talent for 2015. His work also appears in the Taylor Wessing Portrait Prize in 2015. Marton currently lives in New York.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.americansuburbx.com\/2016\/07\/elemer-an-interview-with-marton-perlaki.html?utm_source=feedburner\u0026amp;utm_medium=twitter\u0026amp;utm_campaign=Feed%3A+Americansuburb+%28ASX+%7C+AMERICAN+SUBURB+X+%7C+Photography+%26+Culture%29\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.1000wordsmag.com\/marton-perlaki\/\"\u003e1000 Words\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/paper-journal.com\/interview-marton-perlaki\/\"\u003ePaper Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/i-d.vice.com\/en_us\/article\/marton-perlaki-on-humor-truth-and-photographing-a-facebook-stranger\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/marton-perlaki\/\"\u003eCreative Review\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.bjp-online.com\/2016\/04\/ones-to-watch-2016\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/8568\/first-look-marton-perlakis-otherworldly-new-photo-series\"\u003eAnOther Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/calvertjournal.com\/photography\/show\/5996\/marton-perlaki-elemer-photography\"\u003eCalvert Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.wallpaper.com\/gallery\/art\/in-pictures-the-w-photography-desks-daily-digest-of-visual-inspiration-2016#157754\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.ignant.de\/2016\/05\/01\/introducing-the-enigmatic-photography-of-marton-perlaki\/\"\u003eIgnant.de\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eElemer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas launched on Friday 13th May with an exhibition at Webber, 18 Newman Street.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/marton-perlaki-elemer-launch-13-may-2016\"\u003eMore info here\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520150003767,"sku":"9780993430312","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-48f93e7619124fb5ab09c87b16c21376.jpg?v=1576609641"},{"product_id":"scarlet","title":"Lewis Chaplin - I know one so scarlet","description":"\u003cul\u003e\n\u003cli\u003e40 pages, 24 colour plates, 15 × 19 cm\u003c\/li\u003e\n\u003cli\u003eStapled booklet, Digital printing\u003c\/li\u003e\n\u003cli\u003ePublished in November 2015 by Loose Joints\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI know one who is so scarlet that you have no possibility of finding out how, if at all, scarlet she is \u003c\/em\u003efollows up on the culture and clothing surrounding \u003cem\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/loosejoints.biz\/projects\/other\/2041\/\"\u003e2041\u003c\/a\u003e \u003c\/em\u003eby Lewis Chaplin \u0026amp; Ben Weaver. Collected within this small publication are images made by a gentleman in Peshawar, who creates these fantastical and modified Muslim garments, to market and retail to the online fetish community.\u003cbr\u003e\u003cbr\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520150036535,"sku":"","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-d764c7102a494496aed7541b63d2f521.jpg?v=1576609639"},{"product_id":"snow-cab","title":"Sean Vegezzi - Snow Cab","description":"\u003cul\u003e\n\u003cli\u003e88 pages, 47 colour plates, 175 × 220 mm\u003c\/li\u003e\n\u003cli\u003eWith two texts by the artist\u003c\/li\u003e\n\u003cli\u003eLaminated softcover with flaps\u003c\/li\u003e\n\u003cli\u003eISBN 9780993430329\u003c\/li\u003e\n\u003cli\u003ePublished in May 2016\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited quantities available\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eSnow Cab\u003c\/em\u003e catalogues an eponymous installation of works by Sean Vegezzi made between 15 and 22 November 2016. Installed within a vacated retail unit in Lower Manhattan, the works of \u003cem\u003eSnow Cab\u003c\/em\u003e actively blend and respond to the inert postconsumer space they inhabit, a space in which subsequent to their exhibition the works were left, in situ.\u003c\/p\u003e\n\u003cp\u003eVegezzi’s practice explores the blending of the individual with narratives of privacy, security and visibility within the American military-industrial complex. A departure from prior works, \u003cem\u003eSnow Cab\u003c\/em\u003e evolved as an immediate, frenzied and searching response following the Paris terror attacks of November 2015. Moving through the documentation of the exhibition we find t-shirts, sweeping compound, statues, core samples, Cold War rations, wildlife and more, repurposed and reappropriated for display amongst images and texts.\u003c\/p\u003e\n\u003cp\u003eIn the two accompanying texts to the exhibition, one of which was distributed to all exhibition visitors as a printed booklet, we find an interweaving of Vegezzi’s ongoing research into the security industry with personal experiences of love and terror. Many of the works we see are a series of gestures that both intervene in and undermine Vegezzi’s immediate environment of Manhattan. In one work, a black plexiglass panel has been cracked along its top edge, voiding its former purpose of stopping any light from entering the retail space. It balances delicately with a pixelated image of a blue sky, taken from the empty training headquarters of a prominent insurance company. Elsewhere, the vibrant red of an industrial sweeping compound used to eliminate dust sits within household plant pots.\u003c\/p\u003e\n\u003cp\u003eThese materials, used to control the flows of nature on an elementary level are reconfigured - modifying or corrupting the synthetic materiality of urban space and resembling the aftermath of some unforeseen event. As a piece of work that directly responds to the Paris Attacks, \u003cem\u003eSnow Cab\u003c\/em\u003e also traces and attempts to emulate material production as sympathetic evidence of experience in the wake of an event. This is evident in objects presented throughout the show and detailed in Vegezzi’s texts, but is most apparent in a collection of t-shirts that were hung up for display - depicting vilified terrorists, the 1993 World Trade Center bombing, a Pray for Paris slogan and hand-made shirts referencing waterboarding. In the re-framing of these items of clothing, Vegezzi highlights the notion of merchandise and profit from geopolitical terror, while also delicately articulating the human and vulnerable within our reactions and experiences of a modern, managed world.\u003c\/p\u003e\n\u003cp\u003eSean Vegezzi (b. 1990) is an artist whose work is comprised of image making, sculpture, writing and spatial intervention. His practice examines the effect that both public and private space have on the individual, blending personal experience with narratives of autonomy, privacy and security.\u003c\/p\u003e\n\u003cp\u003eVegezzi’s first book of photographs, \u003ca href=\"https:\/\/tictail.com\/1419\/sean-vegezzi-i-dont-warna-grow-up\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eIDWGU\u003c\/a\u003e (Fourteen-Nineteen, 2012) is a narrative of adolescence in Lower Manhattan. Vegezzi’s recent work includes large-scale exhibitions such as \u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/snow-cab\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eSnow Cab\u003c\/a\u003e (Loose Joints, 2016), and performative interventions such as \u003ca href=\"http:\/\/www.dazeddigital.com\/artsandculture\/article\/29661\/1\/sean-vegezzi-the-youths-breaking-into-nyc-s-highest-profile-buildings\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eScott\u003c\/a\u003e and \u003ca href=\"https:\/\/vimeo.com\/148319385\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eJoey\u003c\/a\u003e (both 2015) - as well as curatorial projects \u003ca href=\"http:\/\/purple.fr\/diary\/anoymous-group-exhibition-and-interview-with-the-curators-at-15-warren-st-new-york\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003e15 Warren\u003c\/a\u003e and \u003ca href=\"http:\/\/www.wmagazine.com\/culture\/art-and-design\/2014\/06\/lower-east-side-art-gallery-pop-up\/photos\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003e170 Suffolk\u003c\/a\u003e.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.americansuburbx.com\/2017\/02\/sean-vegezzi-curiosity-retail-spaces-terror.html\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/publishing.topsafe.london\/730\"\u003eTopsafe\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.vice.com\/en_uk\/read\/sean-vegezzi-snow-cab\"\u003eVice\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eSnow Cab\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas launched on Thursday 26 May in a special event at 1 Crown Court, an empty office in the City of London.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/sean-vegezzi-snow-cab-launch-26-may-2016\"\u003eMore info here\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520150102071,"sku":"9780993430329","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-e6d0ffdfdd7748c5b38fe1f935022977.jpg?v=1576609662"},{"product_id":"class-of-1963","title":"Sarah Chaplin Espenon - Class of 1963","description":"\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e29.7 × 42 cm\u003c\/li\u003e\n\u003cli\u003eDuotone risograph print on Munken Polar 240gsm\u003c\/li\u003e\n\u003cli\u003eEdition of 200\u003c\/li\u003e\n\u003cli\u003eStamped \u0026amp; Numbered\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eA Loose Joints print edition from Sarah Chaplin Espenon taken from the artist's archive of found images. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520150593591,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-1a20b5d8716845d2a6addb28f2c151d8.jpg?v=1576609653"},{"product_id":"blisner-il","title":"Daniel Shea - Blisner, IL Special Edition","description":"\u003cul\u003e\n\u003cli\u003eOriginally published by \u003ca href=\"http:\/\/fourteen-nineteen.com\/\" rel=\"nofollow\" target=\"_blank\"\u003eFourteen Nineteen\u003c\/a\u003e, with the trade edition of the book now sold out.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited special edition of 50 copies\u003c\/li\u003e\n\u003cli\u003e5×7\" print (#\/5 edition each, 10 options)\u003c\/li\u003e\n\u003cli\u003eEach 5×7\" print contains an exclusive image not contained within the book.\u003c\/li\u003e\n\u003cli\u003ea postcard that serves as a bookmark\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages, 97 color plates, 18 x 25 cm\u003c\/li\u003e\n\u003cli\u003e192 Pages, Hardcover \u003c\/li\u003e\n\u003cli\u003eFirst Edition, September 2014\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9573810-3-2\u003c\/li\u003e\n\u003cli\u003ewith an essay by Walter Benn Michaels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ci\u003eBlisner, IL\u003c\/i\u003e examines the effects of deindustrialization in a Rust Belt town. The book serves as a sequel to \u003ci\u003eBlisner, Ill.\u003c\/i\u003e, the change in postal abbreviations significant in their respective points in the chronology of the town, and frames its predecessor as a historical document from which to draw information at the present day site.\u003c\/p\u003e\n\u003cp\u003eThe book focuses on mid-sized cities in Southern Illinois and how they attempt to maintain the veneer of their once industrially-prosperous moment. \u003ci\u003eBlisner, IL \u003c\/i\u003eis organized in chapters that loosely follow the regional picture book formula of understanding place through its history, industry and culture, the terms often functioning synonymously.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.thegreatleapsideways.com\/?ha_exhibit=a-dissolution-of-the-document-daniel-sheas-blisner-il\" rel=\"nofollow\" target=\"_blank\"\u003eThe Great Leap Sideways\u003c\/a\u003e - text by Stanley Wolukau-Wanambwa\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.hotshoeinternational.com\/blog\/shows\/daniel-shea-blisner-il\" rel=\"nofollow\" target=\"_blank\"\u003eHotshoe\u003c\/a\u003e - interview with Alan Knox\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/blog.photoeye.com\/2014\/11\/interview-daniel-shea-on-blisner-il.html\" rel=\"nofollow\" target=\"_blank\"\u003ePhoto-Eye\u003c\/a\u003e - interview with Lucas Foglia\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/paper-journal.com\/daniel-shea\/\" rel=\"nofollow\" target=\"_blank\"\u003ePaper Journal\u003c\/a\u003e - review by Alexander Norton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.1000wordsmag.com\/daniel-shea\/\" rel=\"nofollow\" target=\"_blank\"\u003e1000 Words\u003c\/a\u003e - review by Jeffrey Ladd\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520150822967,"sku":"","price":350.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Daniel_shots.jpg?v=1584893281"},{"product_id":"fencepanels","title":"Oliver Griffin - E.S. 5D: Fence Panels II","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003eA set of 14 facsimile prints, 297 x 420mm each on Olin High White 200gsm\u003c\/li\u003e\n\u003cli\u003eStab-stitched, hand-assembled, edition of 200\u003c\/li\u003e\n\u003cli\u003ePublished in September 2016 by Loose Joints\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003ePart 5D. of Oliver Griffin’s expansive project\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eEvaluation of Space\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003etakes the form of an essay in pictures and words about the humble fence panel. Recreated here are Griffin’s 14 original hand-prints and proofs from the series.\u003c\/p\u003e\n\u003cp\u003eThis work was originally released in 2015 as a limited edition set of 50 numbered portfolios,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/loosejoints.biz\/projects\/publishing\/fence-panels\/\"\u003eavailable here\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eOliver Griffin (1983, Boscome, UK) is an artist working with the tensions between photography and the typological. Griffin produces archives of the everyday to be examined and referenced, attempting to subvert perceptions of our ordinary surroundings. Oliver is represented by Hannah Barry in the UK and Dzialdov in Germany.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151019575,"sku":"LOOSEEVALGREE","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-50ef8a666eb145a29fc17a973d1c2697.jpg?v=1576609644"},{"product_id":"homes","title":"Harley Weir - Homes","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e64 pages, 42 colour plates, 224 × 285 mm\u003c\/li\u003e\n\u003cli\u003eStapled book with silkscreened and foil embossed cover\u003c\/li\u003e\n\u003cli\u003eISBN 9780993430336\u003c\/li\u003e\n\u003cli\u003eFirst edition published in November 2016, Second edition published September 2018\u003c\/li\u003e\n\u003cli\u003eEdited by Sarah Chaplin Espenon\u003c\/li\u003e\n\u003cli\u003ePublished and Designed by Loose Joints\u003c\/li\u003e\n\u003cli\u003eOut of print (last copies available)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eHomes\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eby Harley Weir shows photographs made between 17 and 28 October 2016 in the migrant and refugee camps of Calais. Taken immediately before and during the clearing of this provisional settlement, Weir’s images bear witness to the humanity and ingenuity of those living there - constructing the domestic and familiar against a backdrop of displacement.\u003c\/p\u003e\n\u003cp\u003eThe photographs show us the homes and private spaces of the camp. In the face of oppression and indifference from those most poised to provide assistance,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eHomes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003eshows a stubborn commitment to the small, personal spaces of humanity within the Calais camp.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHomes\u003c\/em\u003e was initially published in November 2016 to raise awareness and funds during the brutal dismantling of the Calais camps and relocation of refugees. The initial run of 500 copies sold within five days, raising €10,000 for La Cimade. In 2018, the situation still persists in Calais but under greater conditions of precariousness and violence. Without organised infrastructure, migrants and aid workers are intimidated and harassed by French police, while access to running water, basic sanitation and healthcare are scarce. \u003c\/p\u003e\n\u003cp\u003eWith the need to raise the visibility of the continued migrant situation in Calais, our reprint of \u003cem\u003eHomes\u003c\/em\u003e will donate a percentage of proceeds to\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003echarities still active in protecting and defending the human rights in the area.\u003c\/p\u003e\n\u003cp\u003eThis second edition of \u003cem\u003eHomes\u003c\/em\u003e also contains three new unseen images and was published to coincide with a large-scale exhibition of the work at \u003ca rel=\"nofollow\" href=\"https:\/\/photoworks.org.uk\/project-news\/first-exhibitions-announced-for-brighton-photo-biennial-2018-a-new-europe\/\" target=\"_blank\"\u003eBrighton Photo Biennial\u003c\/a\u003e,  28 September–28 October 2018.\u003c\/p\u003e\n\u003cp\u003eHarley Weir (1988, London) is a British photographer known for creating intimate images in both her personal work and acclaimed editorial and fashion career. Recent projects include her first monograph\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePaintings \u003c\/em\u003e(Loose Joints 2017),  photobook \u003ci\u003eFunction\u003c\/i\u003e (Baron 2018) and solo exhibition \u003ci\u003eBoundaries\u003c\/i\u003e (FOAM Amsterdam 2016).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/11206\/harley-weirs-homes-powerful-photographs-of-calais-refugee-camps?utm_source=Link\u0026amp;utm_medium=Link\u0026amp;utm_campaign=RSSFeed\u0026amp;utm_term=harley-weir-s-homes-powerful-photographs-of-calais-refugee-camps\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/monocle.com\/radio\/shows\/the-monocle-weekly\/481\/\"\u003eMonocle Radio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/contra-journal-publication-150118\"\u003eContra Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/creative-review-photography-annual-2016-harley-weir\/\"\u003eCreative Review\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.dazeddigital.com\/fashion\/article\/33667\/1\/harley-weir-turns-her-lens-on-the-calais-jungle\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.itsnicethat.com\/articles\/photographer-harley-weir-documents-the-domestic-spaces-of-calais-migrant-camps-091116\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/i-d.vice.com\/en_gb\/article\/harley-weir-talks-about-shooting-the-homes-and-houses-of-the-calais-jungle\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.lemonde.fr\/m-actu\/article\/2016\/11\/22\/dans-le-silence-de-la-jungle-de-calais_5035671_4497186.html\"\u003eLe Monde\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.wallpaper.com\/gallery\/art\/inspiring-photography-from-the-wallpaper-picture-desk-2016?utm_campaign=twitter\u0026amp;utm_source=social\u0026amp;utm_medium=social\u0026amp;xid=wallpaper_socialflow_twitter#179597\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/officemagazine.net\/harley-weir-releases-book-aid-refugees\"\u003eOffice\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Second Edition","offer_id":31295829573750,"sku":"LOOSE93430336-2","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"First Edition","offer_id":31295829540982,"sku":"9780993430336","price":140.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Homes_shots.jpg?v=1580491636"},{"product_id":"homes-se","title":"Harley Weir - Homes Special Edition","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003ePublished in November 2016 by Loose Joints\u003c\/li\u003e\n\u003cli\u003eEdition of 60\u003c\/li\u003e\n\u003cli\u003eISBN 9780993430336-S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eHomes\u003c\/em\u003e by Harley Weir shows photographs made between 17 and 28 October 2016 in the migrant and refugee camps of Calais. Taken immediately before and during the clearing of this provisional settlement, Weir’s images bear witness to the humanity and ingenuity of those living there - constructing the domestic and familiar against a backdrop of displacement.\u003c\/p\u003e\n\u003cp\u003eThe photographs show us the homes and private spaces of the camp. In the face of oppression and indifference from those most poised to provide assistance, \u003cem\u003eHomes \u003c\/em\u003eshows a stubborn commitment to the small, personal spaces of humanity within the Calais camp.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHomes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas initially published in November 2016 to raise awareness and funds during the brutal dismantling of the Calais camps and relocation of refugees. The initial run of 500 copies sold within five days, raising €10,000 for La Cimade. In 2018, the situation still persists in Calais but under greater conditions of precariousness and violence. Without organised infrastructure, migrants and aid workers are intimidated and harassed by French police, while access to running water, basic sanitation and healthcare are scarce. \u003c\/p\u003e\n\u003cp\u003eWith the need to raise the visibility of the continued migrant situation in Calais, our reprint of \u003ci\u003eHomes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewill donate a percentage of proceeds to charities still active in protecting and defending the human rights in the area.\u003c\/p\u003e\n\u003cp\u003eThis second edition of \u003ci\u003eHomes\u003c\/i\u003e also contains three new unseen images and was published to coincide with a large-scale exhibition of the work at\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"https:\/\/photoworks.org.uk\/project-news\/first-exhibitions-announced-for-brighton-photo-biennial-2018-a-new-europe\/\"\u003eBrighton Photo Biennial\u003c\/a\u003e,  28 September–28 October 2018.\u003c\/p\u003e\n\u003cp\u003eHarley Weir (1988, London) is a British photographer known for creating intimate images in both her personal work and acclaimed editorial and fashion career. Recent projects include her first monograph \u003cem\u003ePaintings \u003c\/em\u003e(Loose Joints 2017),  photobook \u003ci\u003eFunction\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(Baron 2018) and solo exhibiton \u003ci\u003eBoundaries\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(FOAM Amsterdam 2016).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eA special edition of \u003cem\u003eHomes\u003c\/em\u003e by Harley Weir, each comprising:\u003c\/li\u003e\n\u003cli\u003eone of four hand-printed images by the artist, each signed in an edition of 15 (20 × 25 cm)\u003c\/li\u003e\n\u003cli\u003ea signed copy of\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eHomes\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003ehoused in a signed and numbered silkscreened envelope.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Option 1:  Blue Tarpaulin","offer_id":13520151216183,"sku":"","price":300.0,"currency_code":"GBP","in_stock":false},{"title":"Option 2:  Toothbrushes","offer_id":13520151248951,"sku":"","price":300.0,"currency_code":"GBP","in_stock":false},{"title":"Option 3:  Orange Circle","offer_id":13520151281719,"sku":"","price":300.0,"currency_code":"GBP","in_stock":false},{"title":"Option 4:  Yellow Tent","offer_id":13520151314487,"sku":"","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-82e4ff3184d345309b07494984ce5f11.jpg?v=1650620918"},{"product_id":"demonstrations-of-patterns-in-flow","title":"Oliver Griffin – Demonstrations of Patterns in Flow","description":"\u003cul\u003e\n\u003cli\u003e80 pages, 39 colour plates, 208 × 136 mm\u003c\/li\u003e\n\u003cli\u003eStab-stitched artists' book with risograph cover and randomly generated digital print sequences\u003c\/li\u003e\n\u003cli\u003ePublished in May 2017 by Loose Joints\u003c\/li\u003e\n\u003cli\u003eEdition of 200, hand-made and numbered\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDemonstrations of Patterns in Flow\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eis a sequence of images and text obliquely meditating on balance, failure, practise and play. Comprising photographs of gymnasium floors after a flatland BMX competition, and an essay,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eWhat Do you Expect From Your Surfaces\u003c\/em\u003e, this artists' book uses the subject matter of BMX, and the geometric traces it leaves, as an idiosyncratic approach to questions of creativity and order.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDemonstrations of Patterns in Flow\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003econtinues Griffin’s interest in the impulse to collect and typologise through photography, and ultimately the slippages and frictions that occur through this desire for rigidity. This unique artists’ book is hand-made, with each edition printed in a way to create a completely random and unique sequence of images in each copy. The arbitrary pairing of texts and geometric forms folds into Griffin’s mythologising of the chance nature of flatland. For Griffin, BMX is a dream-space in which there are no rules or restrictions but that of imagination and gravity; a ‘heaven on earth that you can lose yourself within for a couple of hours, in order to escape the purgatory that we call this dogmatic society’.\u003c\/p\u003e\n\u003cp\u003eThis book accompanies Griffin's exhibition of the same title at\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/www.hannahbarry.com\/\"\u003eHannah Barry\u003c\/a\u003e, 05–27 May 2017.\u003c\/p\u003e\n\u003cp\u003eOliver Griffin (1983, Boscome, UK) is an artist working with the tensions between photography and the typological. Griffin produces archives of the everyday to be examined and referenced, attempting to subvert perceptions of our ordinary surroundings. Oliver is represented by\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/www.hannahbarry.com\/\"\u003eHannah Barry\u003c\/a\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ein the UK and\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/dzialdov.de\/\"\u003eDzialdov\u003c\/a\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ein Germany. He is also a member of\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/abcoop.tumblr.com\/\"\u003eABC Artists' Books Co-operative\u003c\/a\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eand runs Bordom \u0026amp; Theory, a publishing project.\u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151347255,"sku":"LOOSEDOPIF","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-6b0bc7163e674ffda418aeb00c841288.jpg?v=1576609645"},{"product_id":"fingers","title":"Stuart Whipps - Feeling with fingers that see","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e52 pages, 50 5-colour plates, printed with 5 Pantones, 210 × 270 mm\u003c\/li\u003e\n\u003cli\u003eLoop stapled booklet with marbled cover\u003c\/li\u003e\n\u003cli\u003eDesigned by James Langdon\u003c\/li\u003e\n\u003cli\u003eISBN 9780993430350\u003c\/li\u003e\n\u003cli\u003eLimited Edition of 300\u003c\/li\u003e\n\u003cli\u003ePublished in May 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eFeeling with fingers that see\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eby Stuart Whipps is the first in a series of books derived from the artists’ wide-ranging body of research into the human impulse to categorise, control and understand the world. The book’s origins are in an ongoing artwork by Whipps,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eA System for Communicating With The Ghost of Sir Christopher Wren\u003c\/em\u003e, in which the artist explores an early iteration of sign language, pioneered in the seventeenth century by the architect and polymath Sir Christopher Wren. Whipps uses the system within photographs, installation, video and performance to both communicate with Wren from beyond the grave, and to disseminate pertinent messages discovered during his research.\u003c\/p\u003e\n\u003cp\u003eStuart Whipps is an artist based in Birmingham, UK. He often makes work about things he doesn’t understand and doesn't know how to do. Currently this includes restoring a 1979 Mini with the assistance of former British Leyland workers, training to make geological thin sections at the University of Birmingham and working with a seventeenth-century sign language devised by Sir Christopher Wren. He works predominantly with photography and video alongside reconfigured existing or remade materials.\u003c\/p\u003e\n\u003cp\u003eSelected solo exhibitions include\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eIsle Of Slingers,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003eSpike Island, Bristol 2016;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePhoto Colour Services,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003eIthuba Gallery, Johannesburg;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBirth Springs, Death Falls\u003c\/em\u003e, Flat Time House, London 2013;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eWhy Contribute to The Spread of Ugliness?\u003c\/em\u003e, Ikon Gallery, Birmingham 2011, and\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eNew Wooabbeleri,\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFocal Point Gallery, Southend-On-Sea 2010. Selected group exhibitions include\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBritish Art Show 8\u003c\/em\u003e, UK, 2015 - 2017;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eReference Works: Guangzhou\u003c\/em\u003e, Guangzhou, China 2014;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eRelatively Absolute\u003c\/em\u003e, Wysing Arts Centre, Cambridgeshire 2013;\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eCommunity\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eWithout Propinquity\u003c\/em\u003e, MK Gallery, Milton Keynes, 2011, and\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eEast International\u003c\/em\u003e, Norwich, 2009.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151380023,"sku":"9780993430350","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-88f9f4ed9aaf4bcebe2f36f921a66bfc.jpg?v=1576609665"},{"product_id":"samara-scott","title":"Samara Scott - Bruises","description":"\u003cul\u003e\n\u003cli\u003e292 pages, 290 colour plates, 120 × 160 mm\u003c\/li\u003e\n\u003cli\u003eSoftcover with embossed plastic dust jacket\u003c\/li\u003e\n\u003cli\u003eISBN 9780993430367\u003c\/li\u003e\n\u003cli\u003ePublication date: May 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eBruises\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003eis the first book of photographs by the British artist and sculptor Samara Scott. Taken from the artist's archive of 35mm half-frame images,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBruises\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eunfolds over six years in which Scott used the camera as a form of 'sampling' the world, footnotes to feedback into her artistic practice. Much like Scott's sculptural work, we find in her photographs a hybrid swirling of consumer objects and sensory experiences in flux. These images speak of a suspension or perversion of everyday surfaces and depths, but also of the saturation of images, sounds, and textures in contemporary capitalist society. Like in her sculptural practice, Scott is drawn towards the corrupted: in\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBruises\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003ewe find the smears, dents, burps, leaks of the material world, alongside images from Miami, Ibiza, Japan, Rome, LA, London, the bedroom, airports, shopping centres, family holidays and industrial estates.\u003c\/p\u003e\n\u003cp\u003eScott speaks of her own 'sense of churning in the world'; a seasickness from unmitigated acceleration of daily life, and the simultaneous horror and beauty of the material (and digital) world. In\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBruises\u003c\/em\u003e, we find an attempt to navigate this churning world, where the serendipity of the half-frame camera creates chance connections across place and time. This looping, free-fall narrative of references pairs candid observations with her recent installations at Eastside Projects, Pump House Gallery and The Sunday Painter.\u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151412791,"sku":"","price":230.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/SS-cover-new-smallercopy.jpg?v=1584893532"},{"product_id":"paintings","title":"Harley Weir - Paintings","description":"\u003cul\u003e\n\u003cli\u003e160 pages, 90 colour plates, 222 × 265 mm\u003c\/li\u003e\n\u003cli\u003eFlexi bound embossed hardcover, with tip-in onto Japanese sugar paper\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-4-3\u003c\/li\u003e\n\u003cli\u003ePublished in August 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eby Harley Weir presents images made as a form of digression from her traditional photographic practice. Presented as short, rhythmical sequences,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003emoves across the page like a melody, linking rhythm, colour and form through surface studies made consistently throughout the last three years. Intended to be considered outside the constraints of context and place, the images in\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eattempt to exist at the threshold of photographic composition, while forming part of Weir's search for a 'pure' image. With each picture made according to a specific set of rules and criteria, Weir attempts to expunge herself from the act of image-making, and encounter photography as an immediate, indulging process.\u003c\/p\u003e\n\u003cp\u003eThese images are nevertheless underscored by tension and palpable throughout Weir’s practice - the transgressing of surfaces and boundaries, the uneasy relationship between camera and subject, and the inevitable constraints of choice and power that hover around the frame of a photograph. In this sense, these images can be thought of as both liberation from and a mirror to Weir’s diverse output in fashion, editorial and portraiture photography.\u003c\/p\u003e\n\u003cp\u003eHarley Weir (1988, London) is a British photographer known for creating intimate images in both her personal work and acclaimed editorial and fashion career. Recent projects include\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eHomes \u003c\/em\u003e(Loose Joints 2016\/2018), photobook \u003ci\u003eFunction\u003c\/i\u003e (Baron 2018) and solo exhibition \u003ci\u003eBoundaries\u003c\/i\u003e (FOAM Amsterdam 2016).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/books\/Qm9vazozODA=\"\u003eFull video flipthrough and narration by Loose Joints for Virtual–Assembly online bookfair\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/paintings-special-edition\/\"\u003eSpecial edition also available with print\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eT-Shirt collaboration with DoBeDo\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/harley-weir-window-display-tenderbooks\"\u003eWindow display at Tenderbooks\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.hotshoemagazine.com\/products\/hotshoe-issue-200\"\u003eHotshoe Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.dazeddigital.com\/photography\/article\/37007\/1\/harley-weir-s-paintings-book-liberates-herself-from-her-previous-work\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.itsnicethat.com\/articles\/harley-weir-paintings-photography-120717\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/metalmagazine.eu\/en\/post\/article\/harley-weir-searching-for-a-pure-image\"\u003eMETAL Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Regular","offer_id":40091518926966,"sku":"9780993430344","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Harley-shots4_96e4b81a-6a76-4766-bfb3-8ec80727ada5.jpg?v=1614603844"},{"product_id":"paintings-special-edition","title":"Harley Weir - Paintings Special Edition","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003eA special edition of \u003cem\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/loosejoints.biz\/projects\/publishing\/paintings\/\"\u003ePaintings\u003c\/a\u003e\u003c\/em\u003e by Harley Weir, each comprising:\u003c\/li\u003e\n\u003cli\u003eOne of two analogue hand-printed C-types, 8 x 10', each signed in an edition of 15 + 5APs\u003c\/li\u003e\n\u003cli\u003eA signed copy of \u003cem\u003ePaintings\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eA signed and editioned certificate of authenticity\u003c\/li\u003e\n\u003cli\u003eHoused in a blind embossed, dyed millboard slipcase.\u003c\/li\u003e\n\u003cli\u003eEdition of 15\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-4-3-S\u003c\/li\u003e\n\u003cli\u003eBlue Edition - £500 (last one)\u003c\/li\u003e\n\u003cli\u003eRed Edition #1\/15 - £600 (last one)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Harley Weir presents images made as a form of digression from the artist's traditional photographic practice. Known for her intimate and striking approach to portraiture, the images in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eattempt to erase from the frame her concerns with trust, power and permission that weigh upon the act of photographing others.\u003c\/p\u003e\n\u003cp\u003ePresented as short, rhythmical sequences,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emoves across the page like a melody, linking rhythm, colour and form through surface studies made consistently throughout the last three years. Intended to be considered outside the constraints of context and place, the images in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaintings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eattempt to exist at the threshold of photographic composition, while forming part of Weir's search for a 'pure' image. With each picture made according to a specific set of rules and criteria, Weir attempts to expunge herself from the act of image-making, and encounter photography as an immediate, indulging process.\u003c\/p\u003e\n\u003cp\u003eThese images are nevertheless underscored by a tension palpable throughout Weir’s output - the transgressing of surfaces and boundaries, the uneasy relationship between camera and subject, and the inevitable constraints of choice and power that hover around the frame of a photograph. In this sense, these images can be thought of as both liberation from and a mirror to Weir’s diverse output in fashion, editorial and portraiture photography.\u003c\/p\u003e\n\u003cp\u003eHarley Weir (1988, London) is a British photographer known for creating intimate images in both her personal work and acclaimed editorial and fashion career. Her first solo exhibition,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBoundaries\u003c\/em\u003e, opened at Foam in December. Her most recent book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/homes\/\"\u003eHomes\u003c\/a\u003e\u003c\/em\u003e, a publication of images made during the dismantling of the Calais refugee camps, was published by Loose Joints in November 2016.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Blue Edition","offer_id":13520151511095,"sku":"","price":500.0,"currency_code":"GBP","in_stock":false},{"title":"Red Edition No.1 of 15","offer_id":13520151543863,"sku":"","price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-33cd8d5b583f4935b7a02494ad0b2e85.jpg?v=1576609632"},{"product_id":"dmycc","title":"Sean Vegezzi - DMYCC","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e624 pages, 723 colour plates, 205 × 290 mm\u003c\/li\u003e\n\u003cli\u003eCold glue perfect-bound softback with a faux-leather cover\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-8-1\u003c\/li\u003e\n\u003cli\u003ePublished in September 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eDMYCC\u003c\/em\u003e by Sean Vegezzi documents the artists’ decade-long engagement with a cavernous underground area constructed beneath Lower Manhattan. It is one of several tunnel segments built in the 1970s by the New York City Transit Authority for the Second Avenue Subway, a convoluted and controversial subway line that was proposed as early as 1919, and partially realized in 2017. After the initial construction of the tunnel segment, the space was quickly overlooked, and prior to its discovery by Vegezzi, the phantom-like provisional enclosure lay in a state of non-use and deterioration. \u003cem\u003eDMYCC\u003c\/em\u003e is an initialism that encompasses the physical space itself, the desire to gain access to it, and a shifting roster of efforts to install and enact a private recreational domain within it.\u003c\/p\u003e\n\u003cp\u003eAs their surrounding city experienced aggressive development and a hyper-securitization of public and private realms, Vegezzi and his friends were drawn towards undefined spaces to pursue their own forms of autonomy and release. From early adolescence onward, they leveraged this piece of failed architecture into an alternate social forum, stage, club, and studio space. After a large party left the space in complete disrepair, Vegezzi planned a large-scale renovation, culminating in an exhibition of photographic works within the space. As intense preparation for the exhibition was unexpectedly discovered and halted, security measures increased and the group's engagement with the space took on the current contours of the project.\u003c\/p\u003e\n\u003cp\u003ePresented in book form as a loose chronological narrative, the images in \u003cem\u003eDMYCC\u003c\/em\u003e eventually form a comprehensive mapping of the territory; ranging from early evocative analogue photographs of youthful explorations through to video stills, receipts, and architectural floor plans; concluding with full-scale photographic surveys that challenge bureaucratic structural reports in both detail and formal composition. Elsewhere, Vegezzi turns the methodologies of surveillance back onto the authorities and other intruders, monitoring their communications, mapping their moves, vehicles, their trash and their notes. Vegezzi’s desire for indexicality grows over time in extent and fastidiousness; as if the accumulation of images validates his acts of ownership without title. We see \u003cem\u003eDMYCC\u003c\/em\u003e develop from a contaminated space with non-functioning utilities into one treated with dust control chemicals to improve air quality, a working drainage system, primed walls, repaired electricity lines and meticulously considered lighting systems.\u003c\/p\u003e\n\u003cp\u003eThrough the quiet, disciplined nature of their renovation work, Vegezzi and his friends deconstruct the distinctions between sanctioned municipal overhauls and more informal ones. Vegezzi takes these gestures to their logical extremes, in which physical boundaries and barriers are strategically undone and each task forensically documented. These documents are sympathetic yet critical, positing the city as an unknowing collaborator.\u003c\/p\u003e\n\u003cp\u003eSean Vegezzi (b. 1990) is an artist whose work is comprised of image-making, sculpture, writing and spatial intervention. His practice examines the effect that both public and private space have on the individual, blending personal experience with narratives of autonomy, privacy and security. Vegezzi’s first book of photographs, \u003ca href=\"https:\/\/tictail.com\/1419\/sean-vegezzi-i-dont-warna-grow-up\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eIDWGU\u003c\/a\u003e (Fourteen-Nineteen, 2012) is a narrative of adolescence in Lower Manhattan. Vegezzi’s recent work includes large-scale exhibitions such as \u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/snow-cab\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eSnow Cab\u003c\/a\u003e (Loose Joints, 2016), and performative interventions such as \u003ca href=\"http:\/\/www.dazeddigital.com\/artsandculture\/article\/29661\/1\/sean-vegezzi-the-youths-breaking-into-nyc-s-highest-profile-buildings\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eScott\u003c\/a\u003e and \u003ca href=\"https:\/\/vimeo.com\/148319385\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eJoey\u003c\/a\u003e (both 2015) - as well as curatorial projects \u003ca href=\"http:\/\/purple.fr\/diary\/anoymous-group-exhibition-and-interview-with-the-curators-at-15-warren-st-new-york\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003e15 Warren\u003c\/a\u003e and \u003ca href=\"http:\/\/www.wmagazine.com\/culture\/art-and-design\/2014\/06\/lower-east-side-art-gallery-pop-up\/photos\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003e170 Suffolk\u003c\/a\u003e.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/gg156xrueqe89hu\/DMYCC_PBR.jpg?dl=0\"\u003eReview by Sean Corcoran in The Photobook Review, Issue 14\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.hotshoemagazine.com\/products\/issue-201\"\u003e20-page portfolio in Hotshoe Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/listen.know-wave.com\/episode\/nyabf-sean-vegezzi-in-conversation-with-lewis-chaplin-about-his-book-dmycc\"\u003eInterview on Know-Wave Radio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/temporaryartreview.com\/dmycc-at-roaming-projects\/\"\u003eTemporary Art Review\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.dazeddigital.com\/art-photography\/article\/37500\/1\/sean-vegezzi-challenges-the-privatisation-of-public-space\"\u003eDazed Digital\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/sean-vegezzi-dmycc-photography-181217\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/now-instant.la\/screen\"\u003eWatch the entirety of \u003cem\u003eDMYCC\u003c\/em\u003e \u003cbr\u003e(76 mins) online at Now-Instant\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA screening of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDMYCC\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehappened from Thurs 27 – Sunday 30 September 2018 at OUTPUT Gallery, Liverpool.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn exhibition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDMYCC\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eran in London from 10 December 2017 – 7 January 2018 at Roaming Projects in Hackney.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/sean-vegezzi-dmycc-exhibition-london\"\u003eMore info \u0026amp; documentation here.\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe book was launched in NYC with a special event and film screening on Sunday 24 September 2017, at M.S. 131 in downtown Manhattan.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/sean-vegezzi-dmycc-launch-new-york-24-september-2017\"\u003eMore info \u0026amp; documentation here. \u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151609399,"sku":"9780993430381","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/DMYCC-shots.jpg?v=1614603652"},{"product_id":"bharat-sikka","title":"Bharat Sikka - Where the flowers still grow","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e120 pages, 45 colour \u0026amp; 16 duotone plates, 220 x 260 mm\u003c\/li\u003e\n\u003cli\u003eTrimmed hardcover with frayed linen edges and tip-on\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-7-4\u003c\/li\u003e\n\u003cli\u003eSeptember 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003eThe state of Kashmir holds a mythic place in the mind of India. Long known as one of the world’s most beautiful mountain valleys, since the late 1980s it has become synonymous with a political and sectarian conflict which strikes at the very heart of India’s identity. Delhi-based Sikka travelled throughout Kashmir in 2014 and 2015, to attempt to make some sense of this troubled region through his own personal experience. Taking inspiration from Mirza Waheed’s novel \u003cem\u003eThe Collaborator\u003c\/em\u003e, which tells the story of a young Kashmiri man’s struggle with his own sense of self buffeted by the exigencies of history and the present, the resulting project is a meditation on the rich, green landscape and those who have lived and struggled within it.\u003c\/p\u003e\n\u003cp\u003eThe central core of \u003cem\u003eWhere the flowers still grow\u003c\/em\u003e is comprised of portraits of young men, shot alone within the colossal grandeur of an unspoiled landscape that seems to know nothing of national borders and political rivalries. The men stare at Sikka’s camera, which stares back at them, as if their silent images hold within them millions of words needed to explain everything. Having fused portraits of Kashmiri men with their landscapes, Sikka set out to record the more personal details of his visits, photographing objects found in homes but also animals, abandoned buildings, and elements of nature. These details provide a mise-en-scene for Sikka’s project, articulating a more nuanced interpretation of the region and its inhabitants, as well as highlighting the endless contrasts between the bucolic, indifferent natural world and human and individual lives and dreams. What we are ultimately left with is Sikka’s emotional response to his visits to Kashmir, the residual evidence of traumatic events, and the mute witnesses to the convulsions of history.\u003c\/p\u003e\n\u003cp\u003eBharat Sikka (1973, New Delhi) studied at Parsons School of Design, and lives between Europe and India. Documenting contemporary visions of India, recent exhibitions include \u003cem\u003eReimagine\u003c\/em\u003e for Photoworks\/Brighton Photo Biennial 2016, and \u003cem\u003eWhere the flowers still grow\u003c\/em\u003e at the Kochi-Muziris Biennale 2016 and Nature Morte in 2017. His work has been exhibited at the National Museum in New Delhi; Project 88 and Chatterjee \u0026amp; Lal in Mumbai; Fotomuseum Winterthur, Switzerland; Whitechapel Gallery, London; ICP, New York; Unseen, Amsterdam; and the Arles Photo Festival. His book \u003cem\u003eMatter\u003c\/em\u003e was shortlisted for the 2017 First Book Award. He is represented by Nature Morte in India.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.clovemagazine.com\/clove01\/\"\u003eClove Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/aperture.org\/blog\/sikka-kashmir-interview\/\"\u003eAperture\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/bharat-sikkas-images-of-young-men-in-the-wild-landscapes-of-kashmir-050417\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.gqindia.com\/content\/bharat-sikkas-new-book-sees-kashmir-lines\/\"\u003eGQ India\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/officemagazine.net\/bharat-sikka-where-flowers-still-grow\"\u003eOffice Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/edicola.uk\/photography\/72\/where-the-flowers-still-grow?preview=obpfjl\"\u003eEdicola\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.platform-mag.com\/art\/bharat-sikka.html\"\u003ePlatform Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.nssmag.com\/en\/art-design\/12795\/the-emotional-purity-of-kashmir-immortalized-by-bharat-sikka?preview=ozytff\"\u003eNSS Mag\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/indianexpress.com\/article\/lifestyle\/art-and-culture\/vagrants-and-the-valley-4602693\/\"\u003eIndian Express\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151642167,"sku":"9780993430374","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Bharat-shots.jpg?v=1677239432"},{"product_id":"towers-of-thanks","title":"Res - Towers of Thanks","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e32 pages, 26 colour plates, 210 × 260 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStapled booklet with card cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9934303-9-8\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublished in September 2017\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShortlisted for the \u003ca href=\"https:\/\/www.luciephotobookprize.org\/awards\/\"\u003eLucie Photobook Prize, 2018\u003c\/a\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited quantities available\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eTowers of Thanks\u003c\/em\u003e by Res is a photographic sequence that engages with their mother's involvement in the Trump Organization. Barbara Res was the manager of construction on Trump Tower and executive Vice President of the Trump Organization for nearly 20 years, but in the run-up to the 2016 Presidential elections developed an oppositional and public stance against Trump and his candidacy. \u003cem\u003eTowers of Thanks\u003c\/em\u003e taps into the superficial, jarring aspects of Trump's legacy and language - we see his words move from those of effervescent praise to pithy, 140-character condemnation - and looks at how that legacy influenced their family, describing the uncomfortable shifts between political and personal narratives.\u003c\/p\u003e\n\u003cp\u003eThe resulting sequence of photographs blends archival imagery of the Trump Organization with Res' photographic intepretations of their mother, of Trump Tower, and of the ways in which photography contributes to myths of power and success.\u003c\/p\u003e\n\u003cp\u003eRes (b. 1985, Paterson, New Jersey) received their BA in Sociology and Studio Art at Smith College and their MFA in Photography at Yale School of Art. They have exhibited work throughout the United States including at Danziger Gallery, New York; Shulamit Nazarian, Los Angeles; and Casemore Kirkeby, San Francisco. Their work has appeared in Vice Magazine, Girls Like Us, Newspaper and MATTE Magazine. In 2017 they were a winner of the Baxter Street Camera Club of New York Annual Juried Exhibition. Res currently lives and works in New York, NY.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/aperture.org\/editorial\/introducing-res\/\" title=\"Aperture\"\u003eAperture\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.printedmatter.org\/catalog\/48249\/\"\u003eMatte Magazine #41: Res\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/ravelinmagazine.com\/posts\/art-activism-family-history-intertwine-work-photographer-res\/\"\u003eInterview with Justine Kurland for Ravelin Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/res-towers-of-thanks-loose-joints-publication-241117\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.gupmagazine.com\/portfolios\/res\/tower-of-thanks\"\u003eGUP Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.vice.com\/en_us\/article\/a3kabp\/the-woman-who-built-trump-tower-doesnt-even-like-trump\"\u003eVICE\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151674935,"sku":"9780993430398","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-b2ed7c4fbf6c470aacbce3a927e14f2b.jpg?v=1576609646"},{"product_id":"signal-the-future","title":"Georg Gatsas - Signal The Future","description":"\u003cp\u003ePhotographer Georg Gatsas’ \u003cem\u003eSignal The Future\u003c\/em\u003e unpacks many layers of an important musical era in London. Through portraits, candid shots of clubbers, and architectural investigations of the city, a narrative unfolds of how music both shapes and is shaped by its immediate urban environment. Dating from 2008 – shortly after the British club phenomenon of dubstep received international acclaim – we’re introduced to a music scene in the flush of fame. Ethnically diverse, largely working-class, surprisingly close-knit, and a world apart from the country’s acclaimed indie and guitar rock history, the people in this book are united by the city and their love of the music. We glimpse dancers mid-stride, witness their steppers’ communion, and get a sense of their after-hours lives on the empty streets of Brixton in the night.\u003c\/p\u003e\n\u003cp\u003eIn a few short years, the tone of electronic music changed and so did the images – becoming brighter, taking place more often outside, and interspersed with the kind of soaring structures that are the hallmark of modernism. The book includes essays by acclaimed writers on music and cultural theory, including the late Mark Fisher, probing deeply into many of the strands that Gatsas visualises: urbanism, community, the ‘underground’, capitalism, networked futurism, gentrification, and more. Anyone not following underground music may be surprised to realise how much is contained within its scope. Gatsas helps bring those complexities alive.\u003c\/p\u003e\n\u003cp\u003eGeorg Gatsas is an artist, photographer and freelance journalist based in Zurich, Switzerland. Gatsas uses an interdisciplinary approach to focus on how sound, recollection, and public spaces interact. Recent solo and group exhibitions include Kunstmuseum St.Gallen (2017), Oldenburger Kunstverein (2017), Le Confort Moderne Poitiers (2017), FRAC Nord-Pas de Calais (2015), Museum Bärengasse Zurich (2013), and Kunstraum Riehen (2013). His editorial work has featured in a variety of magazines such as Interview, i-D, Dazed, Beat, Zweikommasieben and Edge.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/ns4vwk9fhw5wcnu\/CAI141_BRez_Drevet.pdf?dl=0\"\u003eCamera Austria\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/8dyvvs7zzadjah4\/trax-210_master_low-spreads.pdf?dl=0\"\u003eTrax Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.bbc.co.uk\/news\/in-pictures-41982019\"\u003eBBC\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.zeit.de\/zeit-magazin\/leben\/2017-11\/london-dubstep-club-szene-underground-fs\"\u003eZeit Magazin\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.saiten.ch\/tomorrow-ist-now-kid\/\"\u003eSaiten\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/groove.de\/2018\/02\/01\/fotobuch-signal-the-future\/\"\u003eGroove Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/93i38skisimgd7m\/SM18-02_074-081_Portfolio_Georg_Gatsas_gepr_remote3.pdf?dl=0\"\u003eSwiss Airlines Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/open.spotify.com\/user\/ggatsas\/playlist\/7brvvjFBoAv5lQOSmJnL0a\"\u003eA Spotify playlist by Georg\u003c\/a\u003e, of sounds from the book\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e216 pages, 72 colour \u0026amp; 42 black and white plates, 20 × 30 cm\u003c\/li\u003e\n\u003cli\u003eOTA-bound softcover with inserts\u003c\/li\u003e\n\u003cli\u003eTexts by Mark Fisher, Mark Terkessedis, Rory Gibb \u0026amp; Adam Harper\u003c\/li\u003e\n\u003cli\u003eCo-published in November 2017 by \u003ca href=\"http:\/\/cpress.ch\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003ecpress\u003c\/a\u003e \u0026amp; Loose Joints\u003c\/li\u003e\n\u003cli\u003eDesigned by \u003ca href=\"http:\/\/www.studio-noi.ch\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"\u003eStudio NOI\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 978­3­9524710­1­2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520151969847,"sku":"978­3­9524710­1­2","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-bf9c63ce64c6480c95c60c404ad7763f.jpg?v=1576609625"},{"product_id":"white-ashes-fell","title":"Stuart Whipps - White Ashes Fell","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e44 pages, 28 colour plates on coated and uncoated papers, 210 × 270 mm\u003c\/li\u003e\n\u003cli\u003eLoop stapled booklet with marbled cover\u003c\/li\u003e\n\u003cli\u003eDesigned by James Langdon\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-00-6\u003c\/li\u003e\n\u003cli\u003eLimited Edition of 300\u003c\/li\u003e\n\u003cli\u003ePublished in May 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eWhite Ashes Fell\u003c\/em\u003e presents photographs made by Stuart Whipps in Xilitla, Mexico in 2012. These photographs depict the surrealist sculpture garden of Las Pozas, a collection of 36 large concrete structures with titles such as \u003cem\u003eThe House with Three Stories That Could Be Five\u003c\/em\u003e, and \u003cem\u003eThe Temple of The Ducks\u003c\/em\u003e. Las Pozas was built by the English patron and poet Edward James between 1962 and 1979. These images are accompanied by photographs of the wooden moulds that were used to cast James' structures. The title comes from a story told to George Melly and published in ’Swans Reflecting Elephants':\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe building occurred only after the first 20 years here. For the first 20 years I was only interested in horticulture and then suddenly, in 62 there was a snowfall. Nobody had seen snow before, they didn’t know what it was. When I got back from New York a month later they said Don Edwardo, for 3 days white ashes fell and burnt everything so then I decided I would do something that couldn’t be killed by freak weather so I began building only then, things that look like trees and plants and flowers. Things that could not be killed by snow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe making of these photographs was generously supported by Wysing Arts Centre. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152068151,"sku":"9781912719006","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-027673d68ba24e19aeb3e26c2d9a0c68.jpg?v=1576609666"},{"product_id":"humanise","title":"Sarah Piegay Espenon - Humanise Something Free of Error","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e176 pages, 69 colour \u0026amp; 35 duotone plates, 137 × 195 mm\u003c\/li\u003e\n\u003cli\u003eOpen spine softcover\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-01-3\u003c\/li\u003e\n\u003cli\u003ePublished in May 2018\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited quantities available shipping from NL\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eHumanise Something Free of Error\u003c\/em\u003e meditates on man’s attempts to influence the climate through weather modification, in the form of a visual research project compiled over three years.\u003c\/p\u003e\n\u003cp\u003eTaken broadly, weather modification refers to man-made attempts to intervene in natural weather patterns, through advancements in science and technology. Initially, this took the form of positive gestures to stimulate food production and alleviate water scarcity, or to prevent damaging weather such as hail or hurricanes. The 20th century saw these processes integrated into military and capitalist technologies: to extract profit from the land, and to destabilize economies, ecosystems, agriculture, and financial commodity markets. The weaponization of the weather and the prospect of environmental warfare raises questions about the ethics of harnessing natural forces as a form of power.\u003c\/p\u003e\n\u003cp\u003eGathered from sources as diverse as press libraries, online forums and the artist's photographic archives, \u003cem\u003eHumanise Something Free of Error\u003c\/em\u003e is an oblique response to these issues of power, left open-ended through visual associations along the thin line between peaceful and hostile usage of geoengineering. This critical engagement raises questions of man’s ability to responsibly manage powerful and harmful ecological forces.\u003c\/p\u003e\n\u003cp\u003eThe experiments evident in \u003cem\u003eHumanise Something Free of Error\u003c\/em\u003e are inseparable from the impending climate crises of our age and paint an urgent picture of extreme hidden trajectories to control ecological change. Contained within is also essential obscurity: the unknowable covert operations taking place in the skies above; the invisibility of the state. Collecting these images together asks questions about our living relationship with the planet, as well as about man’s relationship with technology - whether we are in control of the processes we have released upon the world, or whether they now control us.\u003c\/p\u003e\n\u003cp\u003eSarah Piegay Espenon (b. 1990) is an artist and designer, and the co-founder of Loose Joints. Her work generally incorporates archival photography and examines the impulses to collect and process data. \u003cem\u003eHumanise Something Free of Error\u003c\/em\u003e is her first book.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.1000wordsmag.com\/sarah-piegay-espenon\/\"\u003e1000 Words\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/sarah-piegay-espenson-humanise-something-free-of-error-loose-joints-publication-060618\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.graphitejournal.com\/humanise-something-free-of-error\/\"\u003eGraphite Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.gupmagazine.com\/books\/humanise-something-free-of-error\"\u003eGUP Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/issue-75\/books\/humanise-something-free-of-error\/\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSleek Magazine #58\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152133687,"sku":"9781912719013","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Sarah-shots.jpg?v=1580491304"},{"product_id":"ice-fishers","title":"Aleksey Kondratyev - Ice Fishers","description":"\u003cul\u003e\n\u003cli\u003e60 pages, 40 colour plates, 240 x 300 mm\u003c\/li\u003e\n\u003cli\u003eSinger-sewn softcover with alternating papers and insert\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-03-7\u003c\/li\u003e\n\u003cli\u003eSeptember 2018\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited quantities available\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor generations, Kazakh fishers have set out on to the frozen Ishim River in the hope of catching fish beneath the ice. The Ishim flows through the country’s capital, Astana, a high-rise, futuristic city that was built virtually from scratch in the 1990s, when the exploitation of Kazakhstan's oil reserves began. The city is intended to be an emblem of post-Soviet modernity and a hallmark of the country’s entrance into the global economy. On the ice, the fishermen brave temperatures that often reach forty degrees below zero. While they fish, they protect themselves from the harsh weather with salvaged pieces of plastic, patched together from discarded packaging or rice bags found outside markets selling western, Chinese and Russian goods. By looking at the appropriation of these imported materials and their subsidiary application, Kondratyev illuminates the material flow of global capitalism and its effect on local, nomadic practices. Tracking this flow reveals the point at which international trade policy meets individual lives.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAleksey Kondratyev (b. 1993 in Bishkek, Kyrgyzstan) received his BFA from Wayne State University in Detroit and is a current MFA candidate at the University of California, Los Angeles. Kondratyev's work has been exhibited at the Neue Schule für Fotografie in Berlin; the Museum of Contemporary Art in Rome; Les Rencontres d'Arles; the Benaki Museum in Athens; and the Galleria Foto-Forum in Bolzano. His work has been published in the \u003cem\u003eFinancial Times, CNN, Der Spiegel, the New York Times, Vogue\u003c\/em\u003e, and \u003cem\u003eNational Geographic\u003c\/em\u003e. He lives in Los Angeles.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lfi-online.de\/ceemes\/en\/blog\/book-of-the-month-october-1717.html\"\u003eLeica Fotografie International\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.bjp-online.com\/2018\/10\/astanas-ice-fishers\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/08\/ice-fishers\/\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.nationalgeographic.com\/photography\/proof\/2017\/01\/ice-fishers-kazakhstan\/\"\u003eNational Geographic\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.ft.com\/content\/34cfdbba-c657-11e6-8f29-9445cac8966f\"\u003eFinancial Times\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/world\/gallery\/2017\/mar\/14\/cold-catch-the-ice-fishermen-of-astana-in-pictures\"\u003eThe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.calvertjournal.com\/features\/show\/7569\/kazakhstan-astana-ice-fishermen-photography\"\u003eCalvert 22\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152166455,"sku":"9781912719037","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Aleksey-shots3.jpg?v=1584891572"},{"product_id":"seabird","title":"Bobby Doherty - Seabird","description":"\u003cdiv class=\"project-detail-container\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e224 pages, 169 colour plates, 160 × 240 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSection sewn hardcover with a printed and embossed linen\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-02-0\u003c\/li\u003e\n\u003cli\u003ePublished in September 2018 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eSeabird\u003c\/em\u003e is a book of moments observed by American photographer Bobby Doherty between 2014 and 2018.\u003c\/p\u003e\n\u003cp\u003eDoherty makes photographs that get to the point. At first glance, some of the photographs in \u003cem\u003eSeabird\u003c\/em\u003e feel gloriously oversimplified, objects and situations simmered down to their bare constituent elements; the clearest glass on the reddest tablecloth, the wettest dew on the softest leaf. Doherty is quick to embrace both the meaningful and meaningless of everyday life with equal measure: emotive, bucolic landscapes and portraits sit alongside city trash, animals, food and flowers. What comes out, in the end, feels like a photographic egalitarianism, where the tiny and the huge, the mundane and the sublime, shake hands across pages.\u003c\/p\u003e\n\u003cp\u003eDespite his acclaim as a still-life photographer, Doherty is keen to avoid categorisation or to overanalyse his images, placing himself in a lineage of those with a powerful urge to make photographs, consistently and extensively, without concern for cohesion or retrospection. Within this openness, \u003cem\u003eSeabird\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003ebecomes an identifiably human tapestry of images, suggesting the changing of moods, or the shifting of emotions. In the blink of an eye, the work jumps from Hallmark-greeting-card kitsch to wry juxtaposition, from the stereotypical to the absurd.\u003c\/p\u003e\n\u003cp\u003eDespite this looseness, there is a forensic scrutiny to many images, in which every detail, colour and form demands attention. Through Bobby’s camera the mud and mixture of the human and natural world are flattened and shimmer with wonder, joyful and unashamedly sentimental.\u003c\/p\u003e\n\u003cp\u003eBobby Doherty (b. 1989, Brewster, New York) received his BFA from The School of Visual Arts. His work has been featured in \u003cem\u003eFeast for the Eyes \u003c\/em\u003e(Aperture, 2017), The British Journal of Photography, Vice and others. His clients include The Museum of Modern Art, Bergdorf Goodman, Apple, The New York Times and Time Magazine. He was the staff photographer at New York Magazine from 2013 to 2018.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/bobby-doherty-seabird-loose-joints-photography-publication-200219\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.bjp-online.com\/2018\/08\/bobby-doherty-scales-back-the-hyper-real-for-the-raw-simplicity-of-seabird\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/08\/seabird\/\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.vice.com\/en_uk\/article\/9a8eve\/photographer-bobby-dohertys-peculiar-pairings-of-everyday-life-v24n2\"\u003eVice\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eA special edition of \u003c\/span\u003e\u003cem\u003eSeabird\u003c\/em\u003e\u003cspan\u003e is also available, comprising a signed book with alternative blue cover and one of five hand-printed images, each in an edition of 10. \u003c\/span\u003e\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/seabird-se\/\"\u003eFor more info click here\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152231991,"sku":"9781912719020","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Seabird_shots3.jpg?v=1579966804"},{"product_id":"seabird-se","title":"Bobby Doherty - Seabird Special Edition","description":"\u003cdiv class=\"project-description-container\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eSeabird\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a book of moments observed by American photographer Bobby Doherty between 2014 and 2018. Doherty makes photographs that get to the point. At first glance, some of the photographs in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSeabird\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeel gloriously oversimplified, objects and situations simmered down to their bare constituent elements; the clearest glass on the reddest tablecloth, the wettest dew on the softest leaf. Doherty is quick to embrace both the meaningful and meaningless of everyday life with equal measure: emotive, bucolic landscapes and portraits sit alongside city trash, animals, food and flowers. What comes out in the end feels like a photographic egalitarianism, where the tiny and the huge, the mundane and the sublime, shake hands across pages.\u003c\/p\u003e\n\u003cp\u003eDespite his acclaim as a still-life photographer, Doherty is keen to avoid categorisation or to overanalyse his images, placing himself in a lineage of those with a powerful urge to make photographs, consistently and extensively, without concern for cohesion or retrospection. Within this openness,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSeabird\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebecomes an identifiably human tapestry of images, suggesting the changing of moods, or the shifting of emotions. In the blink of an eye, the work jumps from Hallmark-greeting-card kitsch to wry juxtaposition, from the stereotypical to the absurd.\u003c\/p\u003e\n\u003cp\u003eDespite this looseness, there is a forensic scrutiny to many images, in which every detail, colour and form demands attention. Through Bobby’s camera the mud and mixture of the human and natural world are flattened and shimmer with wonder, joyful and unashamedly sentimental.\u003c\/p\u003e\n\u003cp\u003eBobby Doherty (b. 1989, Brewster, New York) received his BFA from The School of Visual Arts. His work has been featured in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFeast for the Eyes\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(Aperture, 2017), The British Journal of Photography, Vice and others. His clients include The Museum of Modern Art, Bergdorf Goodman, Apple, The New York Times and Time Magazine. He was the staff photographer at New York Magazine from 2013 to 2018.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA special edition of \u003cem\u003e\u003ca rel=\"nofollow noopener noreferrer\" target=\"_blank\" href=\"http:\/\/loosejoints.biz\/projects\/publishing\/seabird\/\"\u003eSeabird\u003c\/a\u003e\u003c\/em\u003e by Bobby Doherty, each comprising:\u003c\/li\u003e\n\u003cli\u003eOne of five hand-printed C-type prints, 6 x 9\", each signed in an edition of 10 + 2APs\u003c\/li\u003e\n\u003cli\u003eA signed copy of \u003cem\u003eSeabird\u003c\/em\u003e with an exclusive blue cloth cover\u003c\/li\u003e\n\u003cli\u003eA signed and editioned certificate of authenticity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublished in September 2018 by Loose Joints\u003c\/li\u003e\n\u003cli\u003eEdition of 50\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-02-0-S\u003c\/li\u003e\n\u003cli\u003e£150 [price will increase as editions sell through]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Print #1 - Blue Glass","offer_id":13520152526903,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false},{"title":"Print #2 - Fish","offer_id":13520152428599,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false},{"title":"Print #3 - Frog","offer_id":13520152461367,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false},{"title":"Print #4 - Spaghetti","offer_id":13520152494135,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false},{"title":"Print #5 - Red Glass","offer_id":13520152395831,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-e7c67f4e09bc4c1b9c4780891892d9ca.jpg?v=1583842220"},{"product_id":"bastard-countryside","title":"Robin Friend - Bastard Countryside","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eRobin Friend (b.1983) is a London-based photographer who grew up in Melbourne, Australia. He divides his time between his fine art practice and commissioned work. Recent projects include the award-winning books \u003cem\u003eSanctuary: Britain’s Artists and their Studios \u003c\/em\u003eand \u003cem\u003eArt Studio America\u003c\/em\u003e (Thames \u0026amp; Hudson, 2011-13); a collaborative choreographic work for the BBC, \u003cem\u003eWinged Bull in the Elephant Case\u003c\/em\u003e (2017, with Wayne McGregor); and a National Gallery exhibition project, documenting the gallery's wartime art storage in a Snowdonian mine (2018). Friend's work has been exhibited at Aperture Gallery, New York; Christies, Paris and at the National Gallery, National Portrait Gallery, Somerset House \u0026amp; the Royal Academy of Arts in London. \u003cem\u003eBastard Countryside\u003c\/em\u003e is his first book.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eOut of print\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e104 pages, 51 colour plates, 240 × 270 mm\u003c\/li\u003e\n\u003cli\u003eSection sewn quarter-bound embossed hardcover with tip-ons front and back\u003c\/li\u003e\n\u003cli\u003eWith an essay by Robert Macfarlane\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-04-4\u003c\/li\u003e\n\u003cli\u003ePublished in December 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eBastard Countryside\u003c\/em\u003e collects together 15 years worth of exploration within the British landscape, dwelling on what Victor Hugo called the ‘bastard countryside’: “somewhat ugly but bizarre, made up of two different natures”. Friend’s large-format colour images scrutinise these in-between, unkempt, and often surreal marginal areas of the country, highlighting frictions between the pastoral sublime and the discarded, often polluted reality of the present.\u003c\/p\u003e\n\u003cp\u003eStarting from a classical landscape tradition, Friend’s meticulous 5x4 photographs are given heightened effect through exaggerations of colour and composition, embodying friction between British pastoral ideals and present reality. In particular, Friend follows moments in which the expected narrative of the landscape is rudely interrupted: often through leakage, pollution, or the wreckage and containment of nature.\u003c\/p\u003e\n\u003cp\u003eIn his accompanying essay, writer Robert Macfarlane describes \u003cem\u003eBastard Countryside\u003c\/em\u003e as “a vision par excellence of our synthetic ‘modern nature’– produced by assemblage and entanglement rather than purity and distinction”. Contained within Friend’s photographs are “hard questions […] about what kinds of landscape one might wish either to pass through or to live in; about what versions of ‘modern nature’ might be worth fighting for, and why.”\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca data-mce-fragment=\"1\" href=\"https:\/\/loosejoints.biz\/blogs\/news\/robin-friend-bastard-countryside-launch-6-december-2018\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBastard Countryside\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas launched on 06\/12\/18 at\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDonlon Books\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bbc.co.uk\/programmes\/articles\/1shMnHxL8kBVfSWqyw8vZpg\/the-magical-sadness-where-nature-meets-the-man-made\"\u003eBBC Arts\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2018\/11\/bastard-countryside-by-robin-friend\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.lemonde.fr\/m-le-mag\/article\/2019\/01\/30\/campagnes-anglaises-chronique-d-une-disparition-annoncee_5416491_4500055.html\"\u003eLe Monde\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/robin-friend-bastard-countryside-publication-photography-221118\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.huckmag.com\/art-and-culture\/photography-2\/dystopian-shots-of-britains-rural-edgelands\/\"\u003eHuck Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/museemagazine.com\/culture\/2019\/2\/7\/book-review-bastard-countryside\"\u003eMusée Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/robin-friend-bastard-countryside\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/11\/bastard-countryside\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eVideo interview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=EkS_jxaej90\"\u003eNegative Feedback\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eReview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/djnorwood.wordpress.com\/2019\/01\/24\/bastard-countryside\/\"\u003eDaniel Norwood\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152559671,"sku":"9781912719044","price":260.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Robin-shots.jpg?v=1580490255"},{"product_id":"grey-cobalt","title":"Felicia Honkasalo - Grey Cobalt","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e144 pages, 53 colour \u0026amp; 27 duotone plates, 185 × 210 mm\u003c\/li\u003e\n\u003cli\u003eSwiss-bound embossed softcover with thread-sewn booklet\u003c\/li\u003e\n\u003cli\u003eWith a 48-page text by Ada Smailbegovic\u003c\/li\u003e\n\u003cli\u003eISBN 978–1–912719–08–2\u003c\/li\u003e\n\u003cli\u003ePublished in January 2019\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSold out, last copies remaining from Publishers archive. \u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\"It all started with the objects, documents and photographs I inherited from my late grandfather, a man unknown to me when he was alive. Through these objects I rebuilt different images of him, and reconstructed imagined memories of him at work, of his everyday life, and of the wet lunches held at the mine headquarters during cold-war Finland. In the process of making this body of work, these unusual heirlooms have become, in my eyes, animate characters with independent bodies and powers. They cast a flickering light on the complex relationship between the frailty of my own memories in contrast to the solid forms and eternal glances of these things.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eGrey Cobalt\u003c\/em\u003e by Felicia Honkasalo bases itself around a collection of artefacts steeped in the landscape and history of her native Finland. In a sequence of delicately arranged images, \u003cem\u003eGrey Cobalt\u003c\/em\u003e contains both a meditation on the legacy left by her metallurgist grandfather and a larger, sweeping narrative of how different orders of time and memory impress themselves upon the land, like a palimpsest. Now ‘rearranged and newly ordered, like a cabinet of curiosities’, together these images form a tactile experience of a lost world. Honkasalo creates multiple narratives from seemingly disparate objects, forming alternative cosmologies from her own observations and sense of the distant past. A selection of notes written by Felicia’s grandfather, and expanded upon by herself, are included as epilogue and reflection upon the book and the objects exhibited; a musing on the historical moment in which they were created and the present they in turn disrupt.\u003c\/p\u003e\n\u003cp\u003eThrough this sequence of images juxtaposing and complimenting one another, \u003cem\u003eGrey Cobalt\u003c\/em\u003e obliquely connects personal, historical and geological traces across space and time. An accompanying long form prose piece by Ada Smailbegovic expands these traces further, using images and a fragmentary style to conjure an invisible world of objects and places.\u003c\/p\u003e\n\u003cp\u003eFelicia Honkasalo (b. 1986) gained a Masters degree from the Time and Space department at the Academy of Arts Helsinki in 2016 and her BA from the University of the Arts London. Her works have been shown in Finland, Germany and the UK and are included in private and public collections, in Finland and abroad. In 2019 she will be a resident at ISCP in New York. Honkasalo is also part of the collective Honkasalo-Niemi-Virtanen. \u003cem\u003eGrey Cobalt\u003c\/em\u003e is her first book.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.americansuburbx.com\/2019\/04\/felicia-honkasalo-objects-and-ontologies.html\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/01\/felicia-honkasalo-grandfather\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/felicia-honkasalo-grey-cobalt-photography-publication-110219\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2019\/02\/grey-cobalt\/\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/11406\/grey-colbalt-photography-felicia-honkasalo-book-finland\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/photographs-form-a-meditation-on-the-legacy-left-by-felicia-honkasalos-metallurgist-grandfather\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.webberrepresents.com\/exhibitions\/grey-cobalt\"\u003eExhibition at Webber Gallery, Thursday 10 Jan – 15 Feb 2019\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152592439,"sku":"9781912719082","price":53.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-8a532357301e46bdb91c29219303a337.jpg?v=1576609624"},{"product_id":"photographs","title":"Jack Davison – Photographs","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eJack Davison (b.1990) studied English Literature at Warwick University but spent most of the time experimenting with cameras. Since the age of 14 he has continuously photographed those around him. He lives in London and works for numerous publications including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times Magazine, M Le Monde, Luncheon, Double\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBritish Vogue,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebut spends most of his time shooting for his ongoing personal work. He had his first solo exhibition,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRevisiting Pictures\u003c\/em\u003e, at the Foam Fotografiemuseum Amsterdam in 2016. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eFinal quantities remaining, ships from USA only\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003eOut of stock, limited quantities from publisher's stock\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/loosejoints.biz\/collections\/special-rare\/products\/photographs-annotated\"\u003eAlso available: \u003cem\u003ePhotographs\u003c\/em\u003e Annotated Artists Edition\u003c\/a\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e136 pages, 25 colour \u0026amp; 39 duotone plates, 24 x 25.5 cm\u003c\/li\u003e\n\u003cli\u003eEmbossed linen hardcover with tip-on\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdited by Sarah Chaplin Espenon.\u003c\/li\u003e\n\u003cli\u003eDesigned and Published by Loose Joints.\u003c\/li\u003e\n\u003cli\u003eISBN 9781912719076\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/loosejoints.biz\/products\/photographs-se\"\u003eSpecial Edition, \u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/loosejoints.biz\/products\/photographs-se\"\u003ewith one of two 8x10\" prints in a handmade box with poster and enamel pin, out of print\u003c\/a\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/photographs-posters\/\"\u003eAccompanying poster set, three A1 posters made in collaboration with Matt Willey, out of print\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLoose Joints is proud to present\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e, a story of British artist Jack Davison’s experiments with image making from 2007 to present.\u003c\/p\u003e\n\u003cp\u003eA self-taught photographer, Davison makes pictures like a painter paints, using intuition and instinct to craft photographs that excavate the surreal and sensual from the fabric of daily life. Relying heavily on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003echiaroscuro\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the power of photography to obscure as well as reveal, Davison’s unique, crafted approach to image-making oscillates from crisp, sharp details into dissolving mirages – the world inverted and submerged.\u003c\/p\u003e\n\u003cp\u003eWith their deep shadows and tight framing, the images in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehave an unmistakably cinematic quality; each layered image leaves a breadcrumb trail of associations that extend far beyond its initial context. Despite Jack’s recent successes, he remains humble and all-encompassing in his photography, and the book indistinguishably shifts from staged, meticulous editorial setups to simple everyday occurrences, infused with mystery and depth.\u003c\/p\u003e\n\u003cp\u003eTwo recurring motifs in Davison’s work are the hand and the eye: here a clenched fist, there caressing a face; here glaring out from a billboard and elsewhere shimmering in a reflection. They represent a dynamic tension within Davison’s work, of seeing versus feeling, or the threshold between perception and imagination. The delicate sequence in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehovers between these two states, creating a complex, soulful interpretation of the world through Jack's enigmatic portraits, landscapes and still lives.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/tv\/COGhXRbFQrE\/\"\u003eLoose Joints and Jack Davison in conversation on Instagram Live, 25 April 2021\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/books\/Qm9vazozNzQ=\"\u003eFull video flipthrough and narration by Loose Joints for Virtual–Assembly online bookfair\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas launched on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/jack-davison-photographs-launch-9-may-2019\"\u003e09 May 2019 at The Photographer’s Gallery Bookshop in London\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/jack-davison-photographs-launch-5-june-2019\"\u003e05 June 2019 at LE BAL Bookshop in Paris\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/jack-davisons-throwback-to-a-golden-age-of-editorial-portraiture\"\u003ethe New Yorker\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2019\/may\/29\/jack-davison-experiments-in-photography\"\u003ethe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.lemonde.fr\/m-le-mag\/article\/2019\/04\/17\/jack-davison-photographe-affranchi_5451352_4500055.html\"\u003eLe Monde\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/06\/issue-7885\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.vogue.co.uk\/article\/jack-davison-photographer-interview-2019\"\u003eBritish Vogue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.mendo.nl\/journal\/stories\/jack-davison-understanding-photography\/\"\u003eMENDO Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/44586\/1\/jack-davisons-photographs-offer-a-surrealist-take-on-the-everyday\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/11694\/a-captivating-new-photobook-from-jack-davison-loose-joints-interview\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/jack-davison-photographs-book-loose-joints\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.thecut.com\/2019\/05\/jack-davison-releases-first-book-photographs.html\"\u003eThe Cut\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Third Printing, April 2021","offer_id":32191552323702,"sku":"9781912719075-3","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Jack_Davison_Photographs.jpg?v=1576609634"},{"product_id":"busy-living","title":"Coco Capitán - Busy Living","description":"\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eOut of print\u003c\/span\u003e, last copies available from publisher's stock\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e172 pages, 100 colour \u0026amp; 24 tritone plates, 210 × 297 mm\u003c\/li\u003e\n\u003cli\u003eSilkscreened Swiss-bound softcover with stickers\u003c\/li\u003e\n\u003cli\u003eWith an essay by Simon Baker\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-10-5\u003c\/li\u003e\n\u003cli\u003ePublished in March 2019 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eBusy Living\u003c\/em\u003e accompanies Spanish artist Coco Capitán’s first major museum exhibition in Europe, a comprehensive survey of the artists’ last six years of image-making, including an essay by curator Simon Baker and texts throughout in English and French.\u003cbr\u003e\u003cbr\u003eDespite Capitán’s young age, \u003cem\u003eBusy Living\u003c\/em\u003e contains a kaleidoscope of styles, with openness and freedom beyond her years. Ranging from playful setups pushing against the conventions of fashion and commercial photography, through to statuesque studies of Olympic swimmers and personal memoirs told through trips across America and China, \u003cem\u003eBusy Living\u003c\/em\u003e shows Capitán doing exactly what her title proposes: experiencing, absorbing, and reflecting a fast-paced modern world.\u003c\/p\u003e\n\u003cp\u003eCapitán doesn’t appear to be one to sit still. Alongside her established photographic practice, \u003cem\u003eBusy Living \u003c\/em\u003eshows the vital role that writing, painting and installation play in her attempt to decipher the codes that surround us in the present day. These works – sometimes confessional and personal, sometimes grand manifestos dripping with self-deprecating humour – solidify Capitán’s worldview, one filled with passion and wonder but also a healthy dose of sarcasm and wit.\u003c\/p\u003e\n\u003cp\u003eThe exhibition of \u003cem\u003eBusy Living\u003c\/em\u003e ran from March 6 – May 25, 2019 at the \u003ca href=\"https:\/\/www.mep-fr.org\/event\/coco-capitan\/\" rel=\"nofollow\" target=\"_blank\"\u003eMaison Européenne de la Photographie\u003c\/a\u003e in Paris.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePress:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/i-d.vice.com\/en_uk\/article\/qvym5q\/coco-capitan-busy-living-mep-interview\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/02\/busy-living-everything-with-everyone-everywhere-all-of-the-time\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/gallery\/10259\/coco-capitan-busy-living\/0\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.vogue.fr\/vogue-hommes-en\/article\/coco-capitan-alessandro-micheles-favorite-artist-is-on-display-in-paris\"\u003eVogue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.gupmagazine.com\/books\/coco-capitan\/busy-living\"\u003eGUP Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/paper-journal.com\/coco-capitan-busy-living\/\"\u003ePaper Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":39504869130358,"sku":"9781912719105","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/209048-34bf97d311c048c0a079b28ebe21a1c9.jpg?v=1576609620"},{"product_id":"congregation","title":"Sophie Green – Congregation","description":"\u003cul\u003e\n\u003cli\u003e104 pages, 30 colour \u0026amp; 25 duotone plates, 17.5 × 22.5 cm\u003c\/li\u003e\n\u003cli\u003eHardcover with embossed silk cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eISBN 978-1-912719-05-1\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublished in April 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOut of print, final handful of publisher's reserve stock available\u003c\/span\u003e. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eCongregation\u003c\/em\u003e by Sophie Green is a celebration of Southwark’s Aladura Spiritualist African churches and congregations. Often referred to as “white garment” churches, Green’s images engage with rarely-documented dynamic communities who unite each weekend for Sunday service.\u003c\/p\u003e\n\u003cp\u003eAladura is a denomination of Christianity predominantly practised by Yoruba Nigerians, and in the last 40 years has become a ubiquitous part of London life - particularly in Southwark, which has the highest concentration of African churches outside the continent. \u003cem\u003eCongregation \u003c\/em\u003eobserves a rich tapestry of worshippers and Sunday services, which are spoken in Yoruba and form a key social meeting point and place of cultural solidarity between African Londoners.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCongregation\u003c\/em\u003e asks questions about how individuals find collective identity and power within subcultures, and how cultural practice is assimilated into modern global contexts: traditional dress, food and customs rub up against modern technology and fashion, while devotional interiors colourfully fill the hidden, often industrial spaces that churches inhabit. Green also engages directly with individuals through collaborative, posed portrait sessions and photographic workshops, which serve to empower and engage with members of each congregation and their faith, while highlighting the performance of identity and communality that underpins religious practice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2019\/may\/05\/the-big-picture-churchgoers-peckham-sophie-green\"\u003ethe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/time.com\/longform\/african-churches-christianity-london\/\"\u003eTime\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/sophie-green-shoots-south-londons-white-garment-churches\/\"\u003eCreative Review\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/next.liberation.fr\/images\/2019\/06\/14\/en-plein-choeur_1733862\"\u003eLibération\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eInterview on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/monocle.com\/radio\/shows\/the-monocle-weekly\/522\/\"\u003eMonocle Radio\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bbc.co.uk\/sounds\/play\/m0006sd3\"\u003eBBC Radio 4\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/i-d.vice.com\/en_uk\/article\/d3n7yw\/sophie-green-congregation-photography-book-interview\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/04\/sophie-green-congregation\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/sophie-green-congregation-photography-book\"\u003eWallpaper\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/theface.com\/culture\/sophie-green-takes-us-to-church\"\u003ethe Face\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.huckmag.com\/art-and-culture\/photography-2\/congregation-sophie-green-aladura-spiritualist-churches-london\/\"\u003eHuck Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.twinfactory.co.uk\/congregation-by-sophie-green\/\"\u003eTwin Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/indie-mag.com\/2019\/04\/sophie-green-london-african-churches\/\"\u003eINDIE Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCongregation\u003c\/em\u003e was launched on \u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/sophie-green-congregation-launch-25-april-2019\"\u003eThurs 25th April 2019 at Hannah Barry Gallery in Peckham, London\u003c\/a\u003e. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":13520152887351,"sku":"9781912719051","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Sophie-shots.jpg?v=1576609664"},{"product_id":"photographs-se","title":"Jack Davison – Photographs Special Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSpecial edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/photographs\/\"\u003ePhotographs\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eby Jack Davison, each comprising:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePrint\u003c\/em\u003e:\u003cbr\u003e– one of two prints, 8 x 10\" archival pigment prints on Hahnemuhle photo rag\u003cbr\u003e– each signed in an edition of 25 + 5APs\u003cbr\u003e– a handwritten certificate of authenticity on archival paper\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBox:\u003c\/em\u003e\u003cbr\u003e– a signed first edition of the book \u003cem\u003ePhotographs\u003c\/em\u003e\u003cbr\u003e– one of two exclusive A2 posters\u003cbr\u003e– an enamel pin badge designed by the artist\u003cbr\u003e– housed in a handmade black card box with metallic embossing\u003c\/p\u003e\n\u003cp\u003eEach print is housed in an archival plastic sleeve, with books wrapped in acid free tissue paper and the boxes shipped in custom cardboard boxes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/jack-davisons-throwback-to-a-golden-age-of-editorial-portraiture\"\u003ethe New Yorker\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2019\/may\/29\/jack-davison-experiments-in-photography\"\u003ethe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.lemonde.fr\/m-le-mag\/article\/2019\/04\/17\/jack-davison-photographe-affranchi_5451352_4500055.html\"\u003eLe Monde\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/06\/issue-7885\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.vogue.co.uk\/article\/jack-davison-photographer-interview-2019\"\u003eBritish Vogue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.mendo.nl\/journal\/stories\/jack-davison-understanding-photography\/\"\u003eMENDO Journal\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/44586\/1\/jack-davisons-photographs-offer-a-surrealist-take-on-the-everyday\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/11694\/a-captivating-new-photobook-from-jack-davison-loose-joints-interview\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/jack-davison-photographs-book-loose-joints\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.thecut.com\/2019\/05\/jack-davison-releases-first-book-photographs.html\"\u003eThe Cut\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/photographs-posters\/\"\u003eAccompanying poster set also available\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas launched on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/jack-davison-photographs-launch-9-may-2019\"\u003eThurs 9th May at The Photographer’s Gallery Bookshop in London\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/jack-davison-photographs-launch-5-june-2019\"\u003eWeds 05 June at LE BAL Bookshop in Paris\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"B\u0026W print","offer_id":13789430382647,"sku":"","price":1000.0,"currency_code":"GBP","in_stock":false},{"title":"Colour print","offer_id":13789432348727,"sku":"LOOSEJACKSIGN","price":1000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Jack-SE-shots.jpg?v=1576609636"},{"product_id":"campaign-child","title":"Xiaopeng Yuan - Campaign Child","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e48 pages, 25 colour photos, 213 × 275 mm\u003c\/li\u003e\n\u003cli\u003eStapled booklet printed entirely using environmentally friendly recycled materials and overprinted silkscreen cover\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-06-8, LJ129\u003c\/li\u003e\n\u003cli\u003eNovember 2019\u003c\/li\u003e\n\u003cli\u003eDesigned and Edited by Loose Joints\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eCampaign Child\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Chinese artist Xiaopeng Yuan uses the backdrop of commercial photoshoots to create new, unexpected narratives through the manipulation of bodies and objects in space. While developing as an artist, Yuan found himself routinely commissioned by Chinese kidswear brands to photograph white Western models and American settings within his native Shanghai. Using this controlled context as a parameter, Yuan began to excavate surreal, incongruous images with his young collaborators.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCampaign Child\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eindulges in the language of commercial photography to create new meanings out of disparate objects, bodies and situations. Each image attempts a balance: between the pure, clean, functional axis of photography as a communication tool, and the slippages that occur when juxtaposition and narrative gaps leave space for the mind to unfold. Yuan’s images often feel as if you have stumbled into a story\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ein medias res\u003c\/em\u003e: a young girl emerging from a tablecloth, an escaped budgie being trapped, a hospital bed dripping with liquid. Through unlikely combinations, Yuan asks us to consider what is existing outside the frame and forge links across disparate scenes, where each photograph bounces off the other to create uncanny new contexts. By restructuring commercial photoshoots into a space of imagination and play,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCampaign Child\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso speaks of the uneasy relationship between Western capitalist motifs and the global contexts they insert themselves into while questioning how desire is validated through photography.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/next.liberation.fr\/images\/2019\/12\/06\/cui-cui-cuit_1767702\"\u003eLibération\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2019\/12\/campaign-child-xiaopeng-yuan\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/americansuburbx.com\/2020\/04\/xiaopeng-yuan-liminality-of-capitalist-anxiety.html\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lfi-online.de\/ceemes\/en\/blog\/book-of-the-month-january-2065.html\"\u003eLeica Fotografie International\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2019\/11\/campaign-child\/\"\u003eTANK Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.gupmagazine.com\/books\/xiaopeng-yuan\/campaign-child\"\u003eGUP Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/gallery\/art\/inspiring-photography-from-the-wallpaper-picture-desk-2019\"\u003eWallpaper*\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/gallery\/10776\/campaign-child-by-xiaopeng-yuan\/1\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.sleek-mag.com\/article\/xiaopeng-yuan-commercial-photography-new-photobook\/\"\u003eSleek\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/books\/Qm9vazozNzA=\"\u003eFull video flipthrough and narration by Loose Joints for Virtual–Assembly online bookfair\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/shop.loosejoints.biz\/collections\/special-rare\/products\/campaign-child-se\"\u003eSpecial Edition also available with print\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":30168526618679,"sku":"9781912719068","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Xiaopeng-shots.jpg?v=1576609668"},{"product_id":"restricted-residence","title":"Giles Price - Restricted Residence","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"project-detail-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e80pp, 197 × 300 mm, 42 photos printed with a custom experimental 5-colour profile\u003c\/li\u003e\n\u003cli\u003eSewn booklet with embossed buckram cover\u003c\/li\u003e\n\u003cli\u003ewith an essay by Fred Pearce in English \u0026amp; Japanese\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-13-6\u003c\/li\u003e\n\u003cli\u003eJanuary 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003e\u003cem\u003eRestricted Residence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Giles Price examines the relocation of Japanese citizens to Namie and Iitate, two towns exposed to extreme radioactivity following the catastrophic leak at Fukushima Daiichi Nuclear Power Plant after the 2011 earthquake and tsunami.\u003c\/p\u003e\n\u003cp\u003eDespite the inconclusive scientific consensus of the long-term effects of radiation in the area, in 2017 the Japanese government began to reduce the exclusion zones and heavily financially incentivise residents to return to what were formerly bustling towns, with nearly 20,000 living and working there. Now, the area is eerily empty, with just a few hundred people brave enough to return. With the reactor still unrepaired and uninhabitable radiation hotspots scattered across the landscape, some believe these areas will not be safe for 50 years or longer.\u003c\/p\u003e\n\u003cp\u003ePrice’s images show ordinary, hard-working people hoping for a better future: clean-up and reconstruction workers, medical officers, office workers, a taxi driver who is paid a retainer to stay because there are so few customers, a mechanic, a farmer with contaminated cattle, which he can’t sell, but refuses to put down.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRestricted Residence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eemploys thermal technology often used in medicine and surveying, to render the everyday landscapes of Namie and Iitate surreal and inverted. With an accompanying essay by environmental writer Fred Pearce,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRestricted Residence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eattempts to illustrate the hidden stresses on those affected by the nuclear disaster, while raising questions about the broader impact of manmade catastrophes upon our fragile environment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/americansuburbx.com\/2021\/03\/giles-price-restricted-residence-thermal-observations.html\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wired.com\/story\/eerie-repopulation-fukushima-exclusion-zone\/\"\u003eWired\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wallpaper.com\/art\/giles-price-restricted-residence-book\"\u003eWallpaper\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/edition.cnn.com\/style\/article\/giles-price-fukushima-thermographs\/index.html\"\u003eCNN\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/theecologist.org\/2020\/jan\/31\/restricted-residence-fukushima-and-radiophobia\"\u003eThe Ecologist\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.fastcompany.com\/90461333\/these-towns-were-evacuated-after-the-fukushima-nuclear-disaster-see-what-they-look-like-today\"\u003eFast Company\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/01\/giles-price-restricted-residence\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eInterview on \u003ca href=\"https:\/\/monocle.com\/radio\/shows\/the-monocle-weekly\/551\/\"\u003eMonocle Radio\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ereview on \u003ca href=\"https:\/\/collectordaily.com\/giles-price-restricted-residence\/\"\u003eCollector Daily\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ereview on \u003ca href=\"https:\/\/www.perimeterbooks.com\/blogs\/perimeter-x-heavy\/test-review-giles-price-restricted-residence\"\u003ePerimeter × the Heavy Collective\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/next.liberation.fr\/images\/2020\/02\/28\/c-est-chaud_1780035\"\u003eLibération\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.smithsonianmag.com\/smart-news\/nearly-decade-after-fukushima-thermal-photos-capture-residents-bittersweet-return-180974012\/\"\u003eSmithsonian Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/12183\/photo-books-of-the-month-nan-goldin-joel-sternfeld-furs-jurgen-maelfeyt\"\u003eAnother\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/giles-price-restricted-residence-photography-130120\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/themalestrom.com\/culture\/restricted-residence-fukushima\/\"\u003eThe Malestrom\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/actualidad.rt.com\/actualidad\/340240-fotografias-captar-efectos-invisibles-catastrofe-nuclear-fukushima\"\u003eRT\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.collater.al\/en\/restricted-residence-giles-price-photography\/\"\u003eCollater.al\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.frontlineclub.com\/restricted-residence-returning-to-fukushima\/\"\u003eTalk and book signing Monday 09 March 2020 at the Frontline Club, London, 19.00–20.30\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/giles-launch\"\u003e\u003cbr\u003eBook launch Thurs 16 Jan at The Photographer's Gallery Bookshop, 18.00–20.00\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":30328695717943,"sku":"9781912719136","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Giles_shots.jpg?v=1580491881"},{"product_id":"campaign-child-se","title":"Xiaopeng Yuan - Campaign Child Special Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"project-detail-container\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project-description-container\"\u003e\n\u003cp\u003eA special edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/loosejoints.biz\/projects\/publishing\/campaign-child\/\"\u003eCampaign Child\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eby Xiaopeng Yuan, each comprising:\u003cbr\u003e– an 8 × 10\" archival pigment print, signed and numbered in an edition of 50 + 5APs\u003cbr\u003e– a signed edition of\u003cspan\u003e the book \u003c\/span\u003e\u003cem\u003eCampaign Child \u003c\/em\u003eprinted entirely using environmentally friendly recycled papers \u003cbr\u003e– housed in a silkscreened blue card envelope\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":30366587420727,"sku":"","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Xiaopeng-shots16.jpg?v=1576609670"},{"product_id":"photographs-posters","title":"Photographs Poster Set","description":"\u003cp\u003eA set of 3 posters designed by Matt Willey, Art Director of the New York Times Magazine, to accompany the US launch of \u003ca href=\"https:\/\/shop.loosejoints.biz\/collections\/frontpage\/products\/jack-davison-photographs\"\u003e\u003cem\u003ePhotographs\u003c\/em\u003e\u003c\/a\u003e by Jack Davison.\u003c\/p\u003e\n\u003cp\u003eAll proceeds from the sales of these posters will go towards supporting \u003ca href=\"https:\/\/amazonwatch.org\/\"\u003eAmazon Watch\u003c\/a\u003e.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 posters, 59.4 × 84.1 mm (A1) each\u003c\/li\u003e\n\u003cli\u003eOffset printed on Offenbach Bible Paper with generous support from \u003ca href=\"https:\/\/www.fennerpaper.co.uk\/\"\u003eFenner Paper\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition of 100\u003c\/li\u003e\n\u003cli\u003eAvailable only as a set of 3, posters ship from the US. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Set of Posters","offer_id":31237671583862,"sku":"LJL31237671583862","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Jack_triple_2000px.jpg?v=1580490889"},{"product_id":"luis-alberto-rodriguez-people-of-the-mud","title":"Luis Alberto Rodriguez – People of the Mud","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePeople of the Mud\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.\u003c\/p\u003e\n\u003cp\u003eWith a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.\u003c\/p\u003e\n\u003cp\u003eWhile in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another. \u003c\/p\u003e\n\u003cdiv title=\"Page 54\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eAt the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see \u003c\/span\u003e\u003cem\u003ePeople of the Mud \u003c\/em\u003e\u003cspan\u003eas just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/luis-alberto-rodriguez-people-of-the-mud-special-edition\"\u003eSpecial edition also available with print\u003c\/a\u003e\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/loosejoints.biz\/collections\/signed\/products\/luis-alberto-rodriguez-artist-bundle\"\u003eArtist bundle also available: save 50% off \u003cem\u003ePeople of the Mud\u003c\/em\u003e when ordering together with \u003cem\u003eO\u003c\/em\u003e.\u003c\/a\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e114 pages, 63 tritone plates, 230 × 275 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSection-sewn embossed hardcover housed in a handmade slipcase\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003etexts by Tim Walker and Orla Fitzpatrick\u003c\/li\u003e\n\u003cli\u003eEdit by Sarah Chaplin Espenon\u003c\/li\u003e\n\u003cli\u003eDesigned and Published by Loose Joints\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-14-3\u003c\/li\u003e\n\u003cli\u003ePublished in March 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePress:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/a-visitor-to-ireland-finds-ballet-in-the-ancient-sport-of-hurling\"\u003eNew Yorker\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2020\/jun\/11\/meet-the-mud-people-of-ireland-in-pictures\"\u003eThe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/photography\/ireland-ancient-traditions-hurling-dance-wexford-a9554771.html\"\u003eThe Independent\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/03\/people-of-the-mud-a-community-portrait-of-wexford-ireland\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wmagazine.com\/story\/photographer-luis-alberto-rodriguez-people-of-the-mud\/\"\u003eW Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermanmag.com\/life-culture\/11159\/people-of-the-mud-luis-alberto-rodriguez-loose-joints-ireland-interview\"\u003eAnother Man\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Elephant\" href=\"https:\/\/elephant.art\/the-essential-artists-you-need-to-know-right-now-09042020\/luis_alberto_rodriguez_people_of_the_mud_11\/\"\u003eElephant\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.interviewmagazine.com\/culture\/coffee-table-curator-may-2020-mugler-mud-magick\"\u003eInterview Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2020\/03\/people-of-the-mud\/\"\u003eTank Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/i-d.vice.com\/en_uk\/article\/akwnme\/luis-alberto-rodriguez-people-of-the-mud-interview\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/12335\/photo-books-luis-alberto-rodriguez-peter-beard-hal-fischer-stephen-shore\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"METAL\" href=\"https:\/\/metalmagazine.eu\/bi\/post\/interview\/luis-alberto-rodriguez\"\u003eMETAL\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"The Irish Independent\" href=\"https:\/\/www.independent.ie\/regionals\/wexfordpeople\/news\/wexford-roots-evoke-unique-photography-39049454.html\"\u003eThe Irish Independent\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Der Greif\" href=\"https:\/\/dergreif-online.de\/artist-blog\/read-troubled-days\/\"\u003eDer Greif\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"The Irish Times\" href=\"https:\/\/www.irishtimes.com\/culture\/art-and-design\/visual-art\/the-irish-as-you-ve-never-seen-them-before-meet-the-people-of-the-mud-1.4277465\"\u003eThe Irish Times\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/chapter.digital\/people-of-the-mud\/\"\u003eChapter\u003c\/a\u003e (in German)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEvents:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/theeyes.eu\/en\/talks\/voir-le-replay-de-luis-alberto-rodriguez\/\"\u003eLuis Alberto Rodriguez in conversation, Paris Photo × The Eyes Artist Talks 2021\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.instagram.com\/tv\/CH7XJ5cBYVy\/\"\u003eLuis Alberto Rodriguez in conversation with Sarah Allen on Instagram Live, Sun 22 Nov 2020\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/books\/Qm9vazozNjg=\"\u003eFull video flipthrough and narration by Loose Joints for Virtual–Assembly online bookfair\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/luis-launches\"\u003e\u003cem\u003ePeople of the Mud\u003c\/em\u003e was launched in London on Thurs 12 March 2020 \u003cbr\u003eat Donlon Books, and in Dublin on Sat 14 March at the Library Project\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Regular","offer_id":39504955441270,"sku":"9781912719143","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Luis-shots.jpg?v=1588588224"},{"product_id":"sarah-piegay-espenon-study-of-falling-raindrop-behaviour","title":"Sarah Chaplin Espenon - Study of falling raindrop behaviour","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA limited print edition from Sarah Chaplin Espenon, gathered as part of the research process behind \u003ca href=\"\/products\/humanise\"\u003e\u003cem\u003eHumanise Something Free of Error\u003c\/em\u003e\u003c\/a\u003e. This image was made during the\u003cspan\u003e \u003c\/span\u003efirst lab-controlled artificial rainmaking process and shows individual droplets falling at terminal velocity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20.3 × 25.4 cm (8 × 10\")\u003c\/li\u003e\n\u003cli\u003eBlack risograph print on Munken Lynx Rough 300gsm\u003c\/li\u003e\n\u003cli\u003eSigned and numbered by the artist in a limited edition of 50\u003c\/li\u003e\n\u003cli\u003eSeptember 2019\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":31309098418294,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Sarah_print.jpg?v=1576609657"},{"product_id":"buck-ellison-living-trust","title":"Buck Ellison - Living Trust","description":"\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eLoose Joints is proud to present \u003c\/span\u003e\u003cem\u003eLiving Trust\u003c\/em\u003e\u003cspan\u003e, the first monograph by American artist Buck Ellison. LA-based Ellison’s work broadly investigates the language of privilege through meticulously researched images, often executed through staged settings and performative interventions into the visual language of photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn the surface, many of Ellison's images appear to mildly reproduce the habits and tastes of comfortable, white, upper-middle-class families: organic vegetables, wellness therapies, performance sportswear, lacrosse \u0026amp; rowing, family Christmas card portraits. However, lurking beneath this is a deep network of enquiry into how whiteness and privilege are sustained and broadcast, whether it is what you put in your body, the bumper sticker on your car, which health problems you can afford to worry about or the quality of the air you breathe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMany images in \u003c\/span\u003e\u003cem\u003eLiving Trust \u003c\/em\u003e\u003cspan\u003euse a recipe of carefully constructed scenarios to question how photography perpetuates these distinctions. Ellison pays actors and models throughout his work to stand in and take on the appearance of generic characters, at times reminiscent of commercial or advertising tropes. In this breaking down of boundaries between different rules of photography, Ellison’s work goes beyond a fetishism or repudiation of wealthy habits, in favour of something more ambivalent and uncomfortable. Through webs of association stretching across various photographic styles, \u003c\/span\u003e\u003cem\u003eLiving Trust is\u003c\/em\u003e\u003cspan\u003e an anthropology of W.A.S.P.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAmerica – where the quest for authenticity and well-being is aestheticised, internalised and commodified.\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.parisphoto.com\/en-gb\/program\/2020\/laureates-photobook-awards\/first-photobook-award.html\"\u003eWinner of the Paris Photo–Aperture First PhotoBook of the Year Award 2020\u003c\/a\u003e\u003ca href=\"https:\/\/www.parisphoto.com\/fr-fr\/programme\/2020\/laureats-prix-du-livre\/prix-du-premier-livre.html\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/buck-ellison-living-trust-special-edition\"\u003e\u003cspan\u003eSpecial edition also available with print \u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e132 pages, 60 colour plates, 25 × 32 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClothbound embossed hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArt Direction and edit by Sarah Chaplin Espenon at Loose Joints\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesigned by Loose Joints Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003etexts by Lucy Ives, Orit Gat and Brooke Harrington\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-17-4\u003c\/li\u003e\n\u003cli\u003eApril 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/delpireandco.com\/en\/article-detail\/living-trust-conversation-entre-laurel-parker-buck-ellison-et-lewis-chaplin\/\"\u003e Buck Ellison, Laurel Parker \u0026amp; Loose Joints in conversation as part of Paris Photo–Aperture Photobook Award events series, Sunday 06 December, 5PM GMT \/ 6PM Europe \/ 12PM EST\u003c\/a\u003e\u003ca href=\"https:\/\/delpireandco.com\/article-detail\/living-trust-conversation-entre-laurel-parker-buck-ellison-et-lewis-chaplin\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/agenda\/QWdlbmRhOjE2\" target=\"_blank\"\u003eBuck Ellison \u0026amp; Lucy Ives in conversation online as part of Virtual–Assembly, 26 Apr 2020\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/agenda\"\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/virtual-assembly.com\/events\/virtual-assembly-01\/books\/Qm9vazozNjQ=\"\u003eFull video flipthrough and narration by Loose Joints as part of Virtual–Assembly\u003c\/a\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003ePress:\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/aperture.org\/editorial\/two-photobooks-consider-the-pervasive-fantasies-of-whiteness\/\"\u003eAperture Magazine\u003c\/a\u003e review by Ekow Eshun\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/what-old-money-looks-like-in-america-and-who-pays-for-it\"\u003eNew Yorker\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/04\/an-unlikely-portrait-of-w-a-s-p-america\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.vogue.it\/fotografia\/article\/perfect-white-family-daniel-c-blight-buck-ellison?amp\u0026amp;__twitter_impression=true\"\u003eVogue Italia\u003c\/a\u003e, essay by Daniel C. Blight\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.wmagazine.com\/story\/buck-ellison-living-trust-photography-book-critiquing-white-privilege\/\"\u003eW Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lfi-online.de\/ceemes\/en\/blog\/buck-ellison-living-trust-2209.html\"\u003eLeica Fotografie International\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermanmag.com\/life-culture\/11195\/buck-ellison-living-trust-loose-joints-photography-book-wealth-in-white-america\"\u003eAnother Man\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/i-d.vice.com\/en_uk\/article\/8899mv\/photographing-the-hidden-lives-of-wealthy-white-americans\"\u003ei-D\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/metalmagazine.eu\/bi\/post\/interview\/buck-ellison\"\u003eMETAL Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/museemagazine.com\/features\/2020\/5\/11\/an-ill-timed-look-behind-the-hedges\"\u003eMusée Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/collectordaily.com\/buck-ellison-living-trust\/\"\u003eCollector Daily\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":31309139017846,"sku":"9781912719174","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Buck_aperture.jpg?v=1612261523"},{"product_id":"heaven-is-a-prison","title":"Mark McKnight - Heaven is a Prison","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLoose Joints is proud to present \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeaven is a Prison\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e by Mark McKnight, an exploration of intimacy with and within the austere terrain of Southern California’s high desert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeaven is a Prison\u003c\/span\u003e\u003c\/em\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eMcKnight describes a queer otherworld that is at once utopic and purgatorial – occupied by a solitary pair of copulating, Sisyphean protagonists that appear both liberated and bound by their intimacies and the severe expanse in which they are depicted.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDivided into chapters, the poetic sequences in this book oscillate between the literal and the figurative, between distance and communion, and between violence and affection. Claustrophobic, horizonless landscapes are coupled with images of ethereal clouds and tangled bodies that are simultaneously sculptural, shrewd, and tender. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThrough his synonymous description of landscape and body, McKnight suggests metaphor, pointing at both as vehicles – towards transcendence, bondage, beauty, and abjection – while also revealing them as two sides of the same coin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeaven is a Prison\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e is the recipient of the 2020 \u003ca href=\"https:\/\/www.lightwork.org\/\"\u003eLight Work Photobook Award\u003c\/a\u003e, given annually to an artistic project that deserves international attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eMark McKnight is a Los Angeles-based artist who has exhibited and published work throughout the United States and in Europe. Recent solo exhibitions include \u003cem\u003eMark McKnight\u003c\/em\u003e (Aperture Foundation, 2020) and \u003cem\u003ein this temporarily prevailing landscape\u003c\/em\u003e (Klaus von Nichtssagend, 2020). \u003c\/span\u003eMark is the recipient of the 2019 Aperture Portfolio Prize, the 2020 Light Work Photo Book Award, and a 2020 Rema Hort Mann Emerging Artist Grant. He is currently represented by Klaus von Nichtssagend, New York and Park View\/Paul Soto, Los Angeles.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/heaven-is-a-prison-silkscreen-edition\"\u003eUnique silkscreen print edition also available\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBundle offer\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e Buy the book and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/heaven-is-a-prison-silkscreen-edition\"\u003eaccompanying silkscreen print\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etogether to receive an\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eexclusive cassette mixtape by Mark McKnight. Each cassette is an hour-long soundtrack to the book\u003c\/span\u003e\u003cspan\u003e and is an edition of 100. Free Shipping worldwide.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e132 pages, 60 tritone plates, \u003c\/span\u003e\u003cspan\u003e250 × 305 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSilkscreened hardcover hand-wrapped inside printed paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003etext by Garth Greenwell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdit by Sarah Chaplin Espenon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDesigned and Published by Loose Joints.\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN 978-1-912719-15-0\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSeptember 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.instagram.com\/tv\/CGf260BJPJF\/\"\u003eMark McKnight in conversation with Drew Sawyer on Instagram Live, Sunday 18 October 2020\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/CNQGZjzAAsw\/\"\u003eNarrated video flipthrough by Loose Joints\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/nearesttruth.com\/episodes\/ep-100-mark-mcknight-on-heaven-is-a-prison\/\"\u003eNearest Truth #100: Conversation with Mark McKnight\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePress:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.interviewmagazine.com\/culture\/cleaness-garth-greenwell-interviews-mark-mcknight-about-his-daring-dirty-pictures\"\u003e\u003cspan\u003eInterview Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.gq.com\/story\/garth-greenwell-on-photographer-mark-mcknight\"\u003eGQ\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/mark-mcknight-and-the-bodies-that-modernist-photography-didnt-see\" title=\"New Yorker\"\u003e\u003cspan\u003eNew Yorker\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/moussemagazine.it\/mark-mcknight-andrew-berardini-2021\/\"\u003e\u003cspan\u003eMousse Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.1000wordsmag.com\/mark-mcknight\/\"\u003e1000 Words\u003c\/a\u003e, review by Eugénie Shinkle\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/09\/sex-as-meaning-making-in-the-work-of-mark-mcknight-2\/\"\u003e\u003cspan\u003eBritish Journal of Photography\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/paper-journal.com\/mark-mcknight-heaven-is-a-prison\/\"\u003ePaper Journal\u003c\/a\u003e, review by Darren Campion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePhotoBook Review, Fall 2020, review by Jesse Dorris\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/metalmagazine.eu\/en\/post\/interview\/mark-mcknight\"\u003e\u003cspan\u003eMetal Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/i-d.vice.com\/en_uk\/article\/8893z5\/mark-mcknight-heaven-is-a-prison-interview\"\u003e\u003cspan\u003ei-D\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/12791\/heaven-is-a-prison-by-mark-mcknight-new-book-loose-joints-interview-california\"\u003e\u003cspan\u003eAnother Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/elephant.art\/these-are-the-essential-art-books-you-need-to-know-right-now-29092020\/\"\u003eElephant Magazine\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/gupmagazine.com\/books\/mark-mcknight-heaven-is-a-prison\/\"\u003e\u003cspan\u003eGUP Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2020\/09\/heaven-is-a-prison\/\"\u003e\u003cspan\u003eTank Magazine\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003ereview by \u003ca href=\"https:\/\/www.a-passion-project.com\/books-1\/heaven-is-a-prison-mark-mcknight\"\u003eTimothy LeBlanc\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/55430\/1\/love-lust-and-emancipation-erotic-photo-books-for-valentines-day\" target=\"_blank\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Book Only","offer_id":31854534459510,"sku":"9781912719150","price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Book + Edition + Cassette","offer_id":31955636027510,"sku":"","price":190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Mark_shots.jpg?v=1600129224"},{"product_id":"luis-alberto-rodriguez-people-of-the-mud-special-edition","title":"Luis Alberto Rodriguez - People of the Mud Special Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e   \u003cspan\u003eSpecial edition of\u003c\/span\u003e\u003cspan\u003e \u003ca href=\"https:\/\/loosejoints.biz\/collections\/forthcoming\/products\/luis-alberto-rodriguez-people-of-the-mud\" title=\"People of the Mud\"\u003e\u003cem\u003ePeople of the Mud\u003c\/em\u003e\u003c\/a\u003e by Luis Alberto Rodriguez\u003c\/span\u003e, \u003cbr\u003e   each comprising:\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/h3\u003e\n\u003ch3\u003e- A choice of one of two 8x10\" silver gelatin handprints, \u003cbr\u003e   signed and editioned by the artist\u003cbr\u003e\u003cspan\u003e- Image editions: \u003c\/span\u003e\u003cem\u003eTotem\u003c\/em\u003e (Option 1) and \u003cem\u003eNiamh and Mud \u003c\/em\u003e(Option 2)\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e- A signed first edition of the book \u003ci\u003ePeople of the Mud \u003cbr\u003e\u003c\/i\u003e- Letterpressed signed certificate of authenticity\u003cbr\u003e- Housed in a handmade silkscreen clamshell box\u003cbr\u003e- Each print is a limited edition of 20+ 3APs\u003cbr\u003e- March 2020\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePublication date: March 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eHandmade by \u003ca href=\"http:\/\/imakebooks.co.uk\"\u003ePiotr Jarosz\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelivery times vary by destination\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Option 1 – Totem – TWO EDITIONS REMAINING","offer_id":31329461829750,"sku":"","price":800.0,"currency_code":"GBP","in_stock":true},{"title":"Option 2 – Niamh and Mud","offer_id":31329461862518,"sku":"9781912719143S","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Luis_SE_shots5.jpg?v=1650620150"},{"product_id":"buck-ellison-living-trust-special-edition","title":"Buck Ellison - Living Trust Special Edition","description":"\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSpecial edition of \u003c\/span\u003e\u003ca title=\"Living Trust\" href=\"https:\/\/loosejoints.biz\/collections\/forthcoming\/products\/buck-ellison-living-trust\"\u003e\u003cem\u003eLiving Trust\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e \u003c\/em\u003eby Buck Ellison, each comprising:\u003c\/p\u003e\n\u003cp\u003e- An archival pigment print 9 × 11”\u003cbr\u003e\u003cem\u003e- \u003c\/em\u003eImage Edition:\u003cem\u003e Dick and Betsy, The Ritz-Carlton, Dallas, Texas, 1984, \u003c\/em\u003e2019\u003cbr\u003e- Certificate of authenticity signed and editioned by the artist. \u003cbr\u003e- A signed first edition of the book Living Trust \u003cbr\u003e- Housed in handmade embossed cloth slipcase\u003cbr\u003e- Edition of 20 + 3APs.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach print is pigment printed, housed in an archival protective sleeve, with a book wrapped in acid-free tissue paper. Shipped in custom cardboard boxes. \u003c\/span\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDelivery times vary by destination\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":31329492172918,"sku":"9781912719174-S","price":1000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Buck_shots_final_ab4bfd36-e63a-48a9-a292-712dda705882.jpg?v=1592924362"},{"product_id":"song-flowers","title":"Jack Davison - Song Flowers","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/song-flowers-print-edition\"\u003eLimited print edition also available\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/05\/jack-davison-i-guess-i-try-not-to-show-the-obvious\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/12532\/song-flowers-by-jack-davison-marni-miao-chinese-people-loose-joints\"\u003eAnOther Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.harpersbazaar.com\/it\/cultura\/libri\/a32657519\/jack-davison-foto-libro-song-flowers\/\"\u003eHarper's Bazaar Italy\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e88 pages, 24 duotone \u0026amp; 17 colour plates, 235 \u003c\/span\u003e\u003cspan\u003e× \u003c\/span\u003e\u003cspan\u003e260 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHardcover wrapped in Japanese paper with double silkscreen \u0026amp; embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003etexts in English and Chinese by Mark Bender \u0026amp; Angelo Flaccavento\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eA co-publication between Loose Joints \u0026amp; Marni\u003c\/li\u003e\n\u003cli\u003eLimited edition available online exclusively\u003c\/li\u003e\n\u003cli\u003eMay 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eLoose Joints is proud to present \u003ci\u003eSong Flowers\u003c\/i\u003e by Jack Davison, a new body of work made in collaboration with Marni. Jack Davison’s work is renowned for its dexterity, soulfulness and human spirit, and in his encounter with the Miao cultural groups of Southwest China, Davison explores how speed, rhythm and place interact with ancient traditions in the 21st Century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eThe Miao are one of the oldest ethnic groups in China and are globally renowned for their intricately handmade clothing and patterns, as well as boisterous and imaginative local festivals and myths. As a key inspiration for Italian fashion house Marni, Davison was invited by Creative Director Francesco Risso to spend time and indulge in the pace of life and creativity in these rural communities. Photographing everything from weavers and indigo dying to children, animals, cities and nature, the openness and lush tones of Davison’s work suggests an interconnectivity between landscape and development, or between tradition and modernity. However, rather than focusing directly on the much-documented material culture and aesthetics of the Miao, Davison’s images preoccupy themselves with the backdrops, workshops, faces and hands that shape Miao culture. Song Flowers eschews the intricate and grandiose to look at the intimate and everyday - the hammers laid down after a day’s silverwork, the highway running over the waterlilies, or the stray threads accumulating in the weaver’s workshop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eIn Miao culture, the epic folktale of the Butterfly Mother tells of their founding ancestor, who lays 12 eggs on the tops of their verdant, mountainous region. Recited as a duet between male and female singers, Miao poetry is interspersed with improvised, lyrical observation poems called ‘Song Flowers’, used spark the imagination and provide rich, descriptive context. Davison’s work attempts to capture that vivid poetry written into the landscapes of Southwest China, as well as to create song flowers of his own: to capture the feeling, rhythm and texture of life amongst Miao communities. Davison’s calming images invite us to slow down, to adopt the gentle rhythms of sewing, embroidery and metalwork, while also considering how these rhythms exist alongside those of modern Chinese life.\u003c\/span\u003e\u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":31605718220918,"sku":"9781912719181","price":500.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Song_Flowers_shots.jpg?v=1589964819"},{"product_id":"ghost-witness","title":"Mårten Lange – Ghost Witness","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta content=\"uuidPE9cY7gC0AiS\" name=\"uuid\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eChina has a rich tradition of ghost stories and supernatural beliefs. There are tales of ghosts that can shape-shift, or turn into air, or pure darkness or light. In \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e, Mårten Lange tells the story of a country rushing towards the future with the past following silently behind, like a spectre in the smog.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eIn his time in China, Lange visited urban metropolises that have \u003c\/span\u003eexpanded rapidly in recent years\u003cspan\u003e, as a result of hyper-accelerated growth and development. Walking through these megacities, Lange explores the bleeding edge between rationalised urban planning and messy everyday lives. \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e engages with the unique quality of light in \u003c\/span\u003ethe urban environment\u003cspan\u003e, where the sun filters through the polluted air and the vast arrays of LEDs twinkle in the rain – revealing the world indirectly, like a mirror.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eThe images in \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e inhabit and replicate the machine-like rational logic of the grid to interrogate overlaps and fissures between architecture, technology, surveillance and the future. Lange’s precise photographs often describe those fissures: indecipherable codes, broken windows, decay and entropy within the order of \u003c\/span\u003eglass and steel\u003cspan\u003e. Suspended in a liminal state between constant construction and expansion, Lange questions what it means for humanity to dwell inside environments that are planned, designed and repeated, \u003c\/span\u003ewith little recourse\u003cspan\u003e for history, transition and change.\u003c\/span\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eMårten Lange (born 1984, Gothenburg, Sweden) is an artist working on a wide range of topics including nature, technology and the urban environment. He has published several books, including \u003ci\u003eCitizen\u003c\/i\u003e (Études Books, 2015), \u003ci\u003eAnother Language\u003c\/i\u003e (MACK, 2012), \u003ci\u003eThe Mechanism\u003c\/i\u003e (MACK 2017) and \u003ci\u003eChicxulub\u003c\/i\u003e (self-published, 2016). Lange studied photography in Sweden, Japan and the United Kingdom. His work has been shown internationally, most recently at Foam in Amsterdam, Hamburger Kunsthalle and the Moderna Museet in Stockholm.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eOut of print, final copies shipping from France only\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/marten-lange-ghost-witness-special-edition\"\u003e\n\u003ch3\u003eSpecial Edition also available\u003c\/h3\u003e\n\u003cbr\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e168 pages, 127 tritone plates, 23.3 x 34 cm\u003c\/li\u003e\n\u003cli\u003eOTA-bound embossed softcover\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-20-4\u003c\/li\u003e\n\u003cli\u003eNovember 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eNominated for the \u003ca href=\"https:\/\/www.sfoto.se\/forbundsnytt\/marten-lange-nominerad-till-svenska-fotobokspriset-2022\/\"\u003eSvenska Fotobokspriset 2022\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExhibition at \u003ca href=\"https:\/\/www.robertmorat.de\/exhibitions\/marten-lange-ghosts\/\"\u003eRobert Morat Galerie, Berlin\u003c\/a\u003e, 01 Apr – 14 May 2022\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/tv\/CMeY72Ogvks\/\"\u003eNarrated video flipthrough by Loose Joints\u003c\/a\u003e\u003ca href=\"https:\/\/loosejoints.pmvabf.org\/marten\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003ePress\u003c\/span\u003e:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.1854.photography\/2020\/11\/marten-lange-ghost-witness\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/americansuburbx.com\/2020\/12\/marten-langes-ghost-witness-a-spectral-and-transitional-architecture.html\"\u003eAmerican Suburb X\u003c\/a\u003e, review by Brad Feuerhelm\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/c4journal.com\/marten-lange-ghost-witness\/\"\u003eC4 Journal\u003c\/a\u003e, review by Lewis Bush\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/collectordaily.com\/marten-lange-ghost-witness\/\"\u003eCollector Daily\u003c\/a\u003e, review by Loring Knoblauch\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.mass-collective.com\/notebook\/ghost-witness-a-photographic-book-by-marten-lange\"\u003eMass. Collective\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2020\/12\/ghost-witness\/\"\u003eTANK Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/jiazazhistore.com\/blogs\/interview\/marten-lange-i-making-a-kind-of-ghost-story-about-a-country-rushing-towards-the-future\"\u003eJiazazhi\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/mp.weixin.qq.com\/s?__biz=MjM5OTcwMjYwMA==\u0026amp;mid=2653413168\u0026amp;idx=1\u0026amp;sn=3f65907813a63bda1dfdc53ba4803eaf\u0026amp;chksm=bce406178b938f010476e4df1cf1be96549d2e61d640cf6c1f42ecda52e23f0a37a4d900b4cd\u0026amp;token=1591573525\u0026amp;lang=zh_CN#rd\"\u003eJiazazhi\u003c\/a\u003e (in Chinese, WeChat)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/mp.weixin.qq.com\/s\/A0lDGCO7ZhE1l7ypOzROYQ\"\u003eSame Paper\/Closing Ceremony\u003c\/a\u003e (in Chinese, WeChat)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"position: absolute; left: 297px; top: 785.469px;\" id=\"gtx-trans\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":39504952066166,"sku":"9781912719204S","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Marten-shots-real.jpg?v=1605601906"},{"product_id":"thames-log","title":"Chloe Dewe Mathews – Thames Log","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eThames Log\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e by British photographer \u0026amp; film-maker Chloe Dewe Mathews examines the ever-changing nature of our relationship to water, from ancient pagan festivities through to the rituals of modern life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDewe Mathews spent five years photographing up and down the River Thames, from its puddling source to its great estuarial mouth. She focuses her attention on lives that overlap with the river but whose activities often go unnoticed, like ship-spotters, who log the continual stream of vessels that pass through Tilbury, and mudlarks, who comb the city sludge for Roman and Saxon treasure. Above the tidal Thames, which transforms the landscape twice daily, the young river meanders gently through the verdant countryside. There, Dewe Mathews encounters neopagan rituals, eccentric coracle builders, and the custodians of royal swans. Far from holding a fixed identity, the Thames becomes a protagonist in a series of ceremonies and practices that flow seamlessly downstream, from boat burning in Oxford to evening prayer in Southend; from mass baptisms to teenage rites of passage. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDespite its status as one of the most iconic and well-documented rivers in the world, the Thames documented by Dewe Mathews invites you to look beyond the river to consider religious and secular rituals, and how meaning and identity are constructed through practices both big and small, private and public. For some, the Thames represents a source from which to dream, or imagine other places, other rivers—the Volga, Congo, Ganges, Arcadia. For others, it will represent a final point of departure, as their ashes are scattered into its flow.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike much of Dewe Mathews’ work, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eThames Log\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e pits documentary photography’s tendency to categorise and classify against the mystery and poetry of daily life. Organized geographically across rolling, French-folded pages, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eThames Log\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e not only records events across the spectrum of significance but also the exact GPS coordinates, dates, tides, and weather of each. Dewe Mathews invokes an anthropology of everyday life, whilst reflecting back on the process of recording and gathering visual data along the river, disclosing the personal photographic ritual that evolved.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBy giving her lyrical images a rational underpinning, Dewe Mathews halts and submerges us in the mutable flow of the river, sculpting an unending story of Greater London and the surrounding counties, in all of their diversity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cem\u003eThames Log \u003c\/em\u003eis co-published with the \u003ca href=\"https:\/\/www.martinparrfoundation.org\/exhibitions-category\/upcoming\/\"\u003eMartin Parr Foundation\u003c\/a\u003e to accompany an exhibition of the series at the Foundation, 20 May to 29 August 2021.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eChloe Dewe Mathews (born in London, 1982) is an artist, photographer, and filmmaker. Her work is internationally recognised, exhibiting at Tate Modern, Irish Museum of Modern Art and Staatliche Kunstsammlungen, Dresden; as well as being published widely in newspapers and magazines such as the Guardian, New Yorker, Financial Times and Le Monde. She is the recipient of the Robert Gardner Fellowship in Photography from Harvard University’s Peabody Museum of Archaeology \u0026amp; Ethnology, and her work is held in public collections such as the British Council Art Collection, the National Galleries of Scotland and the Irish State Art Collection. \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" style=\"color: #333333;\" color=\"#333333\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThames Log is her fourth monograph, following \u003cem\u003eShot at Dawn\u003c\/em\u003e (Ivorypress, 2014), \u003cem\u003eCaspian: the Elements\u003c\/em\u003e (Aperture \/ Peabody Press, 2018) and \u003cem\u003eIn Search of Frankenstein\u003c\/em\u003e (Kodoji Press, 2018).\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/thames-log-special-edition\"\u003eOut of Print, Special Edition still available\u003c\/a\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eC\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eo-published with the \u003cmeta charset=\"utf-8\"\u003e \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.martinparrfoundation.org\/\"\u003eMartin Parr Foundation\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cspan\u003e152 pages, 76 colour plates, \u003c\/span\u003e\u003c\/span\u003e240 \u003cspan\u003e× 295\u003c\/span\u003e\u003cspan\u003e mm\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftcover with French-fold pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003etext by Marina Warner\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-19-8\u003c\/li\u003e\n\u003cli\u003eJanuary 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/loose-joints-at-photo-london\"\u003eBook signing Saturday 11 September 1pm at Photo London\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.whitechapelgallery.org\/events\/thames-log\/\"\u003eChloe Dewe Mathews and Andrew Kötting, film screening and conversation, as part of the Whitechapel Gallery Online, Thursday 08 April 2021, 7PM GMT\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/tv\/CKJ9LJSDu7U\/\"\u003eChloe Dewe Mathews in conversation with Lewis Chaplin, Sunday 17 January 2021, 5PM GMT\u003c\/a\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/chloe-talk\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/tv\/CL1UyPigeti\/\"\u003e Narrated video flipthrough by Loose Joints\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/tv\/CLH2qvMFUem\/\"\u003eChloe Dewe Mathews live artist talk for 10×10 Photobooks, Weds 10 February 2021, 6PM GMT\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/nearesttruth.com\/episodes\/ep-152-chloe-dewe-mathews-on-thames-log\/\"\u003eNearest Truth #152: Chloe Dewe Mathews on Thames Log\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/chloe-dewe-mathews-thames-log-photography\/\"\u003eCreative Review\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/aperture.org\/editorial\/chloe-dewe-mathewss-sweeping-chronicle-of-the-river-thames\/\"\u003eAperture\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.nationalgeographic.co.uk\/history-and-civilisation\/2021\/05\/river-of-life-evocative-photos-frame-the-thames-as-an-artery-of-culture\"\u003eNational Geographic\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.1854.photography\/2021\/01\/chloe-dewe-mathews-discovers-a-richness-of-life-along-the-river-thames-2\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/13047\/river-thames-london-chloe-dewe-mathews-photography-2021\"\u003eAnother Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.apollo-magazine.com\/thames-log-chloe-dewe-mathews\/\"\u003eApollo Magazine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2016\/sep\/18\/chloe-dewe-mathews-thames-log-estuary-festival-tilbury\"\u003eThe Observer\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/chloe-dewe-mathews-thames-log-photography-publication-140121\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.ft.com\/content\/b6613b74-b6c0-4ecb-a245-40ea2803c537\"\u003eFinancial Times\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theartnewspaper.com\/blog\/basking-in-the-reflected-glory-of-the-river-thames\"\u003eThe Art Newspaper\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/whynow.co.uk\/read\/the-river-thames-that-gives-us-life\/\"\u003eWhynow\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.pressreader.com\/uk\/the-independent-1029\/20210123\/282449941684185\"\u003eThe Independent\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.heraldscotland.com\/news\/19001609.portfolio-mass-baptism-southend-on-sea-2013-chloe-dewe-mathews\/\"\u003eThe Herald Scotland\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.lemonde.fr\/m-le-mag\/article\/2021\/03\/03\/le-long-de-la-tamise-des-cygnes-un-druide-et-des-rites-hindous_6071787_4500055.html\"\u003eLe Monde\u003c\/a\u003e (in French)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.incfmagazine.com\/thames-log-chloe-dewe-mathews\/\"\u003einCf Magazine\u003c\/a\u003e (in Italian)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.standaard.be\/cnt\/dmf20210225_96453118\"\u003eDe Standaard\u003c\/a\u003e (in Dutch)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/vanhienplus.vn\/nhung-le-hoi-doc-dao-ven-song-thames-nuoc-anh\/31421\/\"\u003eVan Hien\u003c\/a\u003e (in Vietnamese)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/story.hr\/Storybook\/a153326\/Misteriozan-zivot-rijeke-Temze.html\"\u003eStory Magazine\u003c\/a\u003e (in Hungarian)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/arts.konbini.com\/photo\/tout-ce-qui-se-passe-autour-dun-fleuve-documente-par-chloe-dewe-mathews\/\" target=\"_blank\"\u003eKonbini\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":39504855629942,"sku":"9781912719198","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Chloe_Dewe_Mathews_Thames_Log.jpg?v=1610108169"},{"product_id":"miranda-lichtenstein","title":"Miranda Lichtenstein – Recorder","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan color=\"#333333\" style=\"color: #333333;\" data-mce-style=\"color: #333333;\"\u003eMiranda Lichtenstein is an artist based in Brooklyn, New York. Solo exhibitions of her work have been held at The UCLA Hammer Museum (Los Angeles), The Whitney Museum of American Art at Philip Morris (New York), Gallery Min Min (Tokyo), Elizabeth Dee Gallery (New York) and The Museum of Contemporary Art, Tucson (Arizona). She has participated in institutional group exhibitions at the Guggenheim Museum (New York), Hirshhorn Museum and Sculpture Garden (Washington D.C), Renaissance Society (Chicago), Musee Marmottan Monet (Paris), Stadthaus Ulm (Germany), MASS MoCA (North Adams, MA) and the New Museum of Contemporary Art (New York), among others. She has been the recipient of numerous awards including the Rome Prize, and fellowships at Civitella Ranieri in Umbria, Italy, and the Versailles Foundation Munn Artist Program in Giverny, France. Lichtenstein is Associate Professor at Mason Gross School of the Arts, Rutgers University where she is currently a Fellow at the Center for Cultural Analysis.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e104 pages, 60 colour plates, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e222 × 285 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eEmbossed softcover with double-folded cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003etexts by A. L. Steiner \u0026amp; Prudence Pfeiffer\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-912719-21-1\u003c\/li\u003e\n\u003cli\u003eMarch 2021\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe first 100 orders of \u003cem\u003eRecorder\u003c\/em\u003e came with a limited 8×10\" print of an exclusive unpublished work by the artist. Giclée print on Hahnemühle Rag.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/tv\/CNp_DpOAywP\/\" data-mce-href=\"https:\/\/www.instagram.com\/tv\/CNp_DpOAywP\/\"\u003eNarrated video flipthrough by Loose Joints\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/tv\/CNGJPLfFq8o\/\" data-mce-href=\"https:\/\/www.instagram.com\/tv\/CNGJPLfFq8o\/\"\u003eMiranda Lichtenstein in conversation with Eugénie Shinkle, Weds 31 March 2021\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/outside-space\" data-mce-href=\"https:\/\/loosejoints.biz\/blogs\/news\/outside-space\"\u003eOutdoor socially-distanced book launch and signing, Friday 07 May 2021\u003c\/a\u003e\u003ca href=\"https:\/\/loosejoints.biz\/blogs\/news\/miranda-talk\" data-mce-href=\"https:\/\/loosejoints.biz\/blogs\/news\/miranda-talk\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nearesttruth.com\/episodes\/ep-188-miranda-lichtenstein-on-recorder\/\"\u003eNearest Truth #188: Brad Feuerhelm in conversation with Miranda Lichtenstein\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePress:\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.1854.photography\/2021\/03\/a-photographer-deconstructs-the-plastic-bag-into-anonymity\/\" data-mce-href=\"https:\/\/www.1854.photography\/2021\/03\/a-photographer-deconstructs-the-plastic-bag-into-anonymity\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003e\u003c\/span\u003e\u003cspan data-preserver-spaces=\"true\"\u003eLoose Joints is proud to present \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eRecorder\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, an immersive new book of works by American photographic artist Miranda Lichtenstein. For nearly two decades, Lichtenstein has worked in varied subgenres within photography’s historical archetypes: marginalized contemporary landscapes, refracted still life, performance-based portraiture and process-oriented abstraction. In \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eRecorder\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, Lichtenstein embarks on an ambitious three-part series of images that recycle and reorient themselves within the limits of technology and photographic vision. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eEvery image in Lichtenstein’s layered artist book departs from a singular work: \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eWelcome Water\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, where Lichtenstein collaborated with J. Stoner Blackwell to make flatbed scans of the artist’s delicate sculptures derived from disposable carrier bags, which were then cut out and stitched into a sprawling sculptural floorpiece. Meditating on the waste and burdensome environmental significance of these single-use plastic objects, Lichtenstein accumulated and activated the detritus of \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eWelcome Water\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, using the negative cutouts and test-prints of the work to recycle them into new photographic forms.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe results are three series that are both distinct and inseparably intertwined: \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eHoles\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, a series of black-and-white images reworking Blackwell’s delicate laser-cut interventions to the carrier bags; \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eGrounds\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, a physical layering of leftover cutout shapes, pinned and affixed, leaving a gaping void at the photographic centre; and finally, \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eUntitled\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, Lichtenstein’s boldest foray into abstraction, where her source materials were repeatedly printed and scanned, sometimes up to thirty times, to create a giddying and vertiginous collaboration with the entropy of print technology. These works are layered with ink, program errors, exaggerations and obfuscations, eventually liberating her source material into pure free-form visual abstraction.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eLichtenstein creates images that are at once challenging and seductive, setting forth a chain reaction of feedback loops in which pictorial space is filled and mutated through collaboration with and against the limits of imaging technologies. \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eRecorder\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e contains profound depths and coalescent shapes that never fully resolve themselves, but within this profundity a clear thread can be drawn, connecting the push-and-pull of photography’s tendency to both record and obscure, with a meditation on waste, consumption, and the environmental changes set loose by the anthropocene.\u003c\/span\u003e \u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 549px; top: 604px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Book only","offer_id":39254938058870,"sku":"9781912719211","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Miranda-shots.jpg?v=1616006831"},{"product_id":"song-flowers-print-edition","title":"Song Flowers Print Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePrint Edition of \u003c\/span\u003e\u003ca href=\"http:\/\/loosejoints.biz\/products\/song-flowers\"\u003e\u003cem\u003eSong Flowers\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e \u003c\/em\u003eby Jack Davison, each comprising:\u003c\/p\u003e\n\u003cp\u003e- An archival pigment print, 8 × 10” on Hahnemühle Photo Rag\u003cbr\u003e- signed and numbered by the artist in an edition of 100\u003cbr\u003e- A signed copy of \u003cem\u003eSong Flowers.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePlease note: this item is sent by courier only and is therefore exempt from our free shipping offers.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShipping from early June, Delivery times may vary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEach book is wrapped in glassine paper and shipped by courier directly from us in Marseille.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":31760586801270,"sku":"","price":1000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Song_Flowers_print.jpg?v=1589885306"},{"product_id":"heaven-is-a-prison-silkscreen-edition","title":"Mark McKnight - Heaven is a Prison Silkscreen Print Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA unique silkscreen edition to accompany the release of Mark McKnight's \u003cem\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/heaven-is-a-prison\"\u003eHeaven is a Prison\u003c\/a\u003e\u003c\/em\u003e\u003ci\u003e.\u003c\/i\u003e Each edition is hand-printed by the artist, with deliberate interventions and modifications made to the image within the screenprinting process. As a result, each print is unique and contains a variable, intentional amount of imperfection. The images below demonstrate some of this variability.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cspan color=\"#333333\" style=\"color: #333333;\"\u003eSales of this silkscreen edition support \u003ca href=\"http:\/\/reachla.org\/\"\u003eReach LA\u003c\/a\u003e's \u003c\/span\u003e\u003c\/span\u003evisual arts program. Reach LA provides a safe space for queer POC youth, young adults and their allies, \u003cspan class=\"s1\"\u003e\u003cspan color=\"#333333\" style=\"color: #333333;\"\u003eoffering creative opportunities, access to care, HIV testing, and more. Head to \u003ca href=\"https:\/\/secure.givelively.org\/donate\/realistic-education-in-action-coalition-to-foster-health\/help-revive-reach-la-s-visual-arts-program\"\u003eReach LA’s GiveLively page\u003c\/a\u003e to find out more and make an additional contribution.\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003eThanks to a private donor all our fundraising for Reach LA will be 100% donation matched, meaning your support will go twice as far!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBundle offer\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e Buy the book and silkscreen print together to receive an exclusive cassette mixtape by Mark McKnight. Each cassette is an hour-long soundtrack to the book and is an edition of 100.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eone-colour silkscreen print, hand-printed by the artist on 250gsm cardstock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e450 × 560 mm (18 × 22 in)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eEdition of 200, Signed by the artist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eFree Shipping \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Print only","offer_id":31955610927222,"sku":"","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"Book + Print + Cassette","offer_id":31955621609590,"sku":"","price":190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/1844\/5879\/products\/Silkscreen_3.jpg?v=1596214173"}],"url":"https:\/\/loosejoints.biz\/collections\/all.oembed?page=2","provider":"Loose Joints Publishing","version":"1.0","type":"link"}