A riotous, unflinching survey of one of New York’s most cherished gay underground photographers, Don’t Worry Boys finds Stanley Stellar at his most exuberant and layered, through an extensive reappraisal of his archives.

A Brooklyn native, Stellar picked up a camera in 1976 and pointed it, almost immediately, at his own community: the West Village, Christopher Street, the abandoned piers that served for a few short years as a sunbathing ground, a cruising ground, a stage. Here, Stellar developed a vernacular language that carries both a pornographer’s frankness and a documentarian’s patience; a regular contributor to the literary Christopher Street magazine, the gay newspaper New York Native and the panoply of queer flesh magazines of the time, Stellar contains a high-low fluency that gives his work a grit and a candour most of his contemporaries never risked. Against the gritty background of New York in its most unkempt and precarious, sex is everywhere and unapologetic: men frolicking and screwing in full daylight, skimpy clothing leaving little to the imagination, balanced against a natural, authentic record of Stellar’s milieu through intense, unguarded portraiture.

That candour reaches its peak in the studio portraits made during the throes of the AIDS crisis which explore the nuances of gay experience, between introspection and exhibition. Of the hundreds of men who sat for Stellar in that period, only a small handful are still here to tell it. Don’t Worry Boys takes its title from a real, semi-mythical New York social club, an invitation, once, to a refuge where desire and survival held each other in fragile balance, and the book inherits that same charge, riotous and tender in the same breath, never separating the body’s pleasure from its vulnerability.

Initiated and edited by Jordan Hancock as a reappraisal of the two decades that shaped Stellar's further career, Don’t Worry Boys reaffirms Stellar’s place inside the canon of artists who documented this critical chapter of gay culture, while refusing to flatten its subject into either celebration or elegy, building joy directly inside its own grief.

• Stanley Stellar (b. 1945, Brooklyn, NY) is a photographer celebrated for his intimate documentation of queer life in New York City. Over five decades, Stellar’s lens has captured the beauty, fear, and love of the LGBT community — from the Christopher Street Piers and the first Gay Pride Parades to couples navigating the HIV/AIDS epidemic. His photography has been exhibited in galleries across the U.S. and Europe, featured on 26 international magazine covers, and discussed in more than a dozen anthologies. His monograph The Beauty of All Men, Photographs 1976–2011 was published by All Saints Press. He lives and works in Manhattan.
  

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  Jordan Hancock is a New York-based creative agent and co-founder of the representation agency, Second Name. Through Second Name he nurtures emerging talent and manages some of the most influential artists working in fashion today. Outside of the commercial sphere, Jordan is an advocate for contemporary photography and queer history. He has lectured at The New School and Central Saint Martins and has served on the jury of the Hyeres International Festival of Photography. Hancock has consulted on books for Aperture, Loose Joints and Baron.
  

• 192pp, 45 colour and 55 duotone plates, 219 × 290 mm,
• Section-sewn debossed quarterbound hardcover
  
  
• Designed by LJ Studio
  Edited by Jordan Hancock
  Text by Andrew Holleran
  Published by Loose Joints
  
  
• LJ227, September 2026
• ISBN 978-1-912719-80-8

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